Netlabel: Clinical Archives
"CLINICAL ARCHIVES IS ABOUT EXPANDING THE DEFINITION OF MUSIC"
This is independent netlabel for eclectic and illogical music.
The basic directions: abstract, avant-garde, alternative, indie, intuitive improvisation, free improv, jazz, fusion, electronic jazz, free jazz, funk, jam band, live electronic, experimental, experimental pop, dark disco, contemporary, manipulation, neo-classicism, illbient, ambient, musique concr
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Joxfield ProjeX - Shimmering Mah No 1 (ca310) (September 22, 2009)
- Wow ! ! !
Sandro Marinoni and Stefano Roncarolo live at ArtEco' Festival in Asti, Italy (2010).
Sandro Marinoni: tenor sax
Stefano Roncarolo: bass, fx
Squadra Omega - Tenebroso (ca199) (December 25, 2008)
Tags: old drunken kosmik orchestra; free improv; noise; other
Joe Frawley Ensemble is:
Rachel Rambach - singing, lungs, larynx, mouth sounds
Greg Conte - guitars, electronic effects
Joe Frawley - piano, Casiotone, found sounds, electronic processing & arrangement
Leonid Naruszewicz: guitar
Victor Semashko: flute
Vladimir Kravchenko: drums
Knyaz Mishkin - Na Kuccyu - (ca156) (August 26, 2008)
Zmicier Padbiarezski declamation
Lavon Narushevich guitar
Viktar Siamashka wind instruments
"This composition made by poem of Belarusian literature classic Yanka Kupala and dedicated to 90th anniversary of BNR (Belarusian National Republic)".
Levchenko Dmitry - guitar, vocal, synthesizer, programming
Lorn Ivan - synthesizer, programming
"Contemplation of 3 months.
August - the night.
September - day.
October - morning"
Melting Clouds - S/T (ca371) (April 12, 2010)
Levchenko Dimitri - guitar, synthesizer, voice. Talaichuk Ivan - synthesizer, keyboards. Matkovskiy Evgen - drum. Dudko Alex - guitar, videoinstalation. Naronina Anna - videinstalation. Machno Eugen - soundengineer.
(EP) (ca429) (March 16, 2011)
Levchenko Dmitry guitar, vocal, synthesizer, programming
Lorn Ivan synthesizer, programming
"blind queen - the story of a woman representing the beauty and holiness which irreversibly loses it under pressure from the crowd madness of mankind.
defolation - melting shroud enveloping the smells sinking into a lazy sadness and desire to unite with all."
pandoras.box are:
Martin Steer (Vocals, Lyrics, Git)
Johannes Hertrich (Lead/Effect Git)
Markus Staudinger (Piano, Synthsounds)
Phillip Dübell (Bass/Spirit)
André Wittmann (Drums, Add. Composition)
Monomeet - EP (ca436 - April 15, 2011)
- This is a free EP with tracks from their new album on Noisolution, available from Emusic:
"Just at the beginning of 2011, pandoras.box seem define the state of the art of modern Rock Music. A Soundtrack about a time full of global change, desperation, nervousness, youth and dead future. What the Southern Germany based quintet has on offer on their second album is pop and zeitgeist. But rather of the dark, gloomy, demanding and sophisticated kind. Terms like Spacerock, Shoegazer or Neo Classic spring to mind. Sophisticated arrangements of orchestral strings and subtle piano melodies meet the cold light of flickering laptop screens. PANDORAS.BOX take their time to create moods and sounds but they dont forget the rhythmic foundations that endow the majestic compositions with a certain lightness."
Stefano Roncarolo - Dry Land (ca388) (July 1, 2010)
Stefano Roncarolo: bass, 6 strings fretless bass, double bass, percussions
Sandro Marinoni: flute, keyboards
Francesco Perugini: voice, guitar
"Dry Land" is a solo album by Stefano Roncarolo.
Thank to Sandro Marinoni on flute and Francesco Perugini for his poetry and intuitions with his voice."
Sandro Marinoni - Don Baltasar (ca443) (May 15, 2011)
"Just an album of simple music.
Twelve songs by twelve different moods."
- Awesome ! ! !
- Mr. Marinoni "meditating". . . . .
Stefano Ferrian (w/ Sandro Marinoni, Stefano Roncarolo) - Convergence (ca474) (October 19, 2011)
"Stefano Ferrian's "Convergence" is an introspective instrumental album made precious by the collaboration with Sandro Marinoni and Stefano Roncarolo. "grey"'s probably the keyword to represent the music contained in this brand new and poetic release by Stefano Ferrian that on this album played both tenor saxophone and classical guitars. . . .
Pigeons & The Insane Porridgemakers - Le Voyage (ca280) (June 25, 2009)
- "Group of 10 artists, and as a matter of fact - the whole theatre, where in improvised performances, there is a place for each participant. The space which is warmed up by the "sun" of a stage, is filled with elements of a jazz, folk, avant-guarde, industrial, psychedelic, punk-aesthetics and is flavoured with the spoken words..."
Nöno - Juguetes (ca479) (November 24, 2011)
"Juguetes (toys) is the first album of Nöno, a look back at the nostalgia of childhood, the dreams, the noises, the feelings and the thoughs of the child we were back in our infancy. Built half-way between neo-classic sounds, noise and electronica, is a reflexion of everything we were, everything we have lost, everything we can remember, what we are now, and everything that will continue with us until the day we die. . ."
Sandro Marinoni & Stefano Roncarolo - Colors (ca356) (February 5, 2010)
Stefano Roncarolo: bass, noises
Sandro Marinoni: tenor sax, trombone, keyboards, fx
"Colors is a release by Frames, an experimental collective from Italy started in 2007 by Stefano Roncarolo and Sandro Marinoni."
- Soooo Goooood !
- (ca328) (November 5, 2009)
- Oh . . . My . . . God !
(ca321) (October 18, 2009)
Solo saxophone tour de force of the finest quality . . .
Neurobit - Maison De Verre Sur Le Chantier (ca497) (April 24, 2012)
- "Neurobit is an experimental artist working on an improvisational basis. The man behind the project is Bas Welling, also known for previous works under the monikers Former Descent & Rioteer and remix works for artists like Maurizio Bianchi, Ra-X and Deathmaker. The Neurobit sound consists of soundscapes, drones, pulses and noises based on the idea of a live situation. The sound is based on minimal suites made using 4bit, 8bit, & LCD console sounds, sounding at times experimental or ambient.
In the past Neurobit already released his works on labels like Enfant Terrible, Alphacut Records, Marasm, Retinascan, True Chip Till Death, TIBProd & R.O.N.F. Neurobit played at various festivals, art spaces and concert nights including Gogbot Festival 2009, Bloodnok Tour Russia/Lithuania 2008, Mediamatic Amsterdam & Valkhof Affaire Festival Nijmegen 2008."
- The Deconstruction Metajazz Band:
(ca360) (February 18, 2010)
- With Paolo Baltaro, Sandro Marinoni, Diego Marzi, Gianni Opezzo and Boris Savoldelli.
- "La Differanza" was released in 2000 as the second SADO's record.
This is the 10th anniversary edition, specially remixed for free download.
An early work of SADO but still very representative of the band. Based on Jacques Derrida's "Difference" notion. Jacques Derrida begins the essay "Diff
"Post Human Era is the work of brothers Daniel and Michael Finfer.
Artists love to say their music has a mes sage, but what hap pens when that mes sage is the Sin gu lar ity is Near? Post Human Era cre ates albums that explore experimental sounds and ideas, while still pos sess ing enough pop-music chops to make them acces si ble.
'Help, I Invented The Internet' is the result of work spanning the last three years, and their first formal release since 2009's 'To Build A Fire'."
- "Halster, a Swedish freely improvising guitar trio operating from Malmö, state their case like this: "Guitar as object. Guitar as subject. Guitar as percussion. Guitar as quotation. Guitar as microphone. Guitar as string-theory. Guitar as a tool. Guitar as a fool. Guitar as guitar. " They hold weekly open Monday sessions in their rehearsal hall made of an old military bunker, and this time the guests were Vassily K., a guitarist from Moscow, and Herman Müntzing, a renown experimental sound artist from Baskemölla, with his electronics and amlified objects. The visual and verbal ideas are taken gratefully from the research of Alan C.M. Cheung and Patrick Cramer at Gene Center and Department of Biochemistry, Center for Integrated Protein Science, Munich."
(ca503) (September 1, 2012)
- - "Intuitive improvisation group KM has existed since 1991, headed by Leonid Narushevich. In the discography of the group - about three dozen albums, studio and live (knyazmishkin.narod.ru). Entries were issued on various labels: Wood Records (USA), Geometria, Acatzia, Jajcekletka (Russia), Kovcheg (Belarus), etc.
In the team in different times took part dozens of people, including Yuri Pavlovsky and Ivan Kirchuk (Ethno-trio Troitsa), one of the best bassists in Belarus Valery Bashkov, percussionist Alexander Sofiks, keyboardist Yuri Vasilyev, Yevgeny Poleychuk (Pr.Morriarti) and many others. The band depending on the situation may take the form of the duo to sextet.
Through its wide stylistics, KM visited many avant-garde, jazz, blues, rock ''n'' roll, ethno festivals, and continues to do this: Syrok, SKIF (Russia), Alternativa (Czech Republic),Alternativa (Russia) UnSound(Belarus). . ."
http://knyazmishkin.narod.ru/
Utrovortu - Byt' kak myshi-polevki (Feeling like a campagnol) (ca440) (May 3, 2011)
- The creative association "Utrovortu" formed in St. Petersburg some years ago. Its core was the band "Golubi i bezumnye kashevary" ("The Pigeons and the Insane Porridgemakers"), a large body of people performing at the interface between music and experimental poetry. . . .
Utrovortu - Strakhuidyot (ca486) (January 19, 2012)
- "The new album by Utrovortu is a tribute to the girlish disco-punk band STRAKHUIDYOT, which performed in St Petersburg some time ago. While recording the disc the musicians have torn the funny mocking songs to bits - lively guitar riffs reincarnated into grinding sounds of prehistoric synthesizers, and the rock-n-rolling keyboards were replaced by the dull heavy thumps of obscure nature. The jolly songs which just made you go twisting and shouting around your slightly drunk girlfriend can now throw a careless listener to the floor with his ears bleeding, watching guitar roulades and strange distant noises flow through the sound fiber. Some unsophisticated music for those who walk through the night and wash their feet in sound."
Ilia Belorukov - Secret. What is There Inside? (ca072) (November 22, 2007)
- ""Secret" is his first album in the genres of electroacoustic music and ambient. Unlike the musician's main activities associated with free improvisation this work is more compositional though it contains one long improvisation on alto and tenor saxophones. Bass-guitar is the main instrument in this work, it creates rhythmic structures and melodic lines and it forms atmospheres by volume and superpositions of sounds."
Ilia Bass Guitar, Alto & Tenor Saxophones, Noises, Sounds
Recorded by Ilia at Illusion Studio on March-May 2006
Ilia Belorukov - Wanderers Nachtlied II (ca073) (November 22, 2007)
Ilia Bass Guitar, Electric Guitar, Voice, Baritone Saxophone, Untitled Flute, Noises & Sounds
- "This work continues the 2006 year's album "Secret. What is There Inside?". The experiments in the field of mixing the natural instruments with their very sound electronically processed are the main direction of these two studio projects. Along with bass-guitar and baritone saxophone Ilia uses electroguitar also playing on it with bow and ambient sounds.
The name of the album is the name of Goethe's poem written in 1780 and the titles of compositions are lines from this poem. In the last composition Ilia reads it in the original language. I can exemplify here some quotes from a book 'Immortality' written by Milan Kundera: "This is the most famous German poem ever written, one which all German children must learn by heart", "The idea of the poem is simple: in the woods everything is asleep, and you will sleep too". But further Kundera tells about another meaning: "...then at last she realized that the poem speaks of death: he wanted to tell her that he was dying and that he knew it."