Obscure Groups from the late 60s and early 70s that should have done so much better!
You hear a fantastic group from that period of greatest rock innovation (late 60s/early 70s) whose album(s) didn't sell well and they then just faded into obscurity. Don't you ask yourself why!?
Also, there's nothing better than being introduced to an extraordinary album by a band that you have never heard of.
Here's my example to start things off, "Jonesy" and their outstanding 1972 album "No Alternative".
AMG says "No Alternative was Jonesy's debut album, and its title track best summed up their aspirations of fusing improvisational jazz to prog rock with barely a thought to commercial consequences". Some people compare them to early King Crimson.
https://www.allmusic.com/album/no-alternative-mw0000468035.
http://www.progarchives.com/artist.asp?id=1331
Looking forward to seeing all your examples.
Also, there's nothing better than being introduced to an extraordinary album by a band that you have never heard of.
Here's my example to start things off, "Jonesy" and their outstanding 1972 album "No Alternative".
AMG says "No Alternative was Jonesy's debut album, and its title track best summed up their aspirations of fusing improvisational jazz to prog rock with barely a thought to commercial consequences". Some people compare them to early King Crimson.
https://www.allmusic.com/album/no-alternative-mw0000468035.
http://www.progarchives.com/artist.asp?id=1331
Looking forward to seeing all your examples.
Comments
Great start to a thread…both “No Alternative” and “Alone, Alone” are just as you described, and I would never have stumbled upon them otherwise. I’m all ears for these kinds of suggestions, trusting your tastes and the forum itself.
AMG made me think I searched the wrong Hungry Ghosts, as in one of their not infrequent errors they treat “Alone, Alone” as an EP that doesn’t show in their discography without clicking again. My guess is they were too good at post rock too early and apparently didn’t stick around for it to get “popular”. Seems to be very well regarded among those who know it, though. https://www.allmusic.com/album/alone-alone-mw0000065721
If sticking to the 60s & 70s, I won’t have much to contribute since losing my vinyl 15 years ago. If all decades up to this one (I figure things need at least a year or a few to be considered obscure) may be included, that’s my podcast’s focus, but I intend to stay 90% in the 21st century. I’m sure I can scrounge up some 90s examples that I will eventually feature if still podcasting in 5-10 years.
Also curious to know what you all think is criminally underappreciated.
@jonahpwll the John Handy Monterrey album is also outstanding.
@omnifoo your contributions are most welcome too.
From Progarchives, "Of all the early French prog records, this one is probably the highest rated".
http://www.progarchives.com/album.asp?id=3873
Listening to Sandrose now…the vocalist is a bit yelpy, but there’s definitely a lot going on with it musically…I definitely prefer the instrumental passages.
Among the oldest on my list to feature eventually as “album picks” for my podcast are the two by once-hyped Man Jumping from the mid-80s. On Eno’s label, I go back and forth on whether these are dated and cheesy or unappreciated genius for mixing jazz, world, electronica, and even some “pop” here and there well before technology made this kind of ambition a lot less messy and rough around the edges.
The few raters on AMG do not appear to share my doubts, but it’s pretty clear their experimentation went nowhere commercially, “discographically”, and in terms of being remembered. https://www.allmusic.com/artist/man-jumping-mn0000566892/discography
Not to sound dismissive or anything, but for that period... in about 90 percent of cases the answer to the question of "why" is going to be "major-label contracts."
ProgArchives says "The album "Cherry Five" ('75) is a real treat for all progrock lovers: strong and fluent compositions, very melodic and flowing with many good ideas....This is one of the gems of Italian progrock from the Seventies".
http://www.progarchives.com/album.asp?id=10319
AMG says "it features great, blues-influenced hard rock with loads of fuzz guitar, in the style of such artists as Josephus or early Johnny Winter....... This is highly recommended to any fan of early-'70s hard rock."
https://www.allmusic.com/album/overdrive-mw0000514396
A heady mix of Prog Rock, Jazz Rock, Psychedelic Folk and even a bit of Hard Rock.
Progarchives says that "GNIDROLOG are one of the more overlooked bands that took part in the progressive rock explosion in Britain around 1971-73. Intricate band, with an ecletic music that is very hard to categorize."
The strange band name comes from re-arranging the letters of the founding brothers surname (Goldring) and adding in an "O"!
Great album cover, emblematic of the period!
http://www.progarchives.com/artist.asp?id=138
but it’s Whatever Forever by Lighthouse.
Krautrock verging into Hard Rock. Try the first and best track "Highway".
AMG says "Named after the vampire from the early expressionist film, Nosferatu were one of the earliest groups from Germany to explore beyond the conventional beat music and blues into the far more progressive realms of Krautrock in the late 1960s. The group is also one of the most obscure Krautrock bands, with only one record to their name."
https://www.allmusic.com/album/nosferatu-mw0000839183
https://www.discogs.com/artist/373916-The-Feminine-Complex
https://www.allmusic.com/artist/the-feminine-complex-mn0000066265
Highly rated by iconic British DJ John Peel they were probably a bit ahead of their time. For more information, see Wikipedia. This band really deserved to do much better, listen here
Oomph!
https://www.allmusic.com/artist/the-misunderstood-mn0000474642
Quoting from Discogs "Good jazz-prog band coming from the suburbs of Paris. Featuring several members from the famous other French band Magma, and sounding more jazzy. This unique album from 1971 is a good catch".
Whilst ProgArchives says "The French band Rhesus O was formed in 1971 by future Magma keyboarder Jean-Pol Asseline with musicians from the jazz and jazz-rock field and released one self titled record. Soft Machine is the main influence to be found on the record and to a lesser extent Magma, Miles Davis and Frank Zappa. The record presents a melodic jazz-rock with folk and classical elements".
https://www.discogs.com/Rhesus-O-Rhesus-O-/master/607740
http://www.progarchives.com/artist.asp?id=3775
AMG says "....the Outsiders "could issue a serious claim for consideration as the finest rock band of the '60s to hail from a non-English-speaking nation," and Richard Mason penned an essay on the group calling them "the most underrated band ever."
https://www.allmusic.com/artist/the-outsiders-mn0001620705/biography
https://www.allmusic.com/artist/ruperts-people-mn0000203419/biography
"Reflections Of Charles Brown" by Rupert's People.
AMG says "The Turin-based Dedalus rank among Italy's most enterprising jazz rock bands and that despite their public profile being the highest among collectors, for whom their two albums remain a holy grail of sorts."