Just want to give a heads up that despite eMusic not bothering to notify in any way there has been a significant number of titles from the Warner Brothers group dropped in the last several days, mostly on the 10th and 11th, across many of their labels, pretty much across the spectrum from rock to jazz to classical. Good news for anyone with fraunhoferphobia. There's a bunch of Sanctuary releases too, although they may have the taint. Also 7 albums from the Blue Horizon label - original Fleetwood Mac albums, and a best of Duster Bennett, the English blueser who wrote Jumping At Shadows - which song I am happy to report is not afflicted.
BDB, I noticed that Ginger Baker's Going Back Home is also new at the other place. That's another good one. I've always liked the song East Timor on GBH where Bill Frisell absolutely wails.
Another good Ginger Baker jazz album is Coward of the County with the Denver Jazz Quintet-to-Octet (DJQ20) with Ron Miles and James Carter. Not at the other place yet but worth looking out for.
I got Going Back Home years ago on a whim at Tower Records (deep sigh) and was really wowed by it. Highly recommended.
Edit - looks like the dirty bastards are having the annual Booster sale - $25 for $20, or $45 for $35, so I won't have to wait for refresh to be Falling Off The Roof.
October 2005: Seminal German director Christoph Schlingensief (R.I.P. 2010) shoots his latest feature film The African Twintowers in Lüderitz/Namibia with Irm Hermann, Klaus Beyer, Robert Stadlober, Patti Smith........
Autumn 2006: Schlingensief approaches Berlin musician/composer Hanno Leichtmann (Groupshow, Static, Denseland) regarding a soundtrack for the film. There were hours and hours of raw material; the concept being a movie with few dialogues and music throughout a 90 minute psychedelic collage; an associative visual and sonic trip.
With the help of John Nijenhuis aka Sir Henry as well as a trio of musicians playing indian music (tabla, sitar, tampura), they started to improvise in Leichtmanns recording studio projecting film sequences on a wall. Within 4 days and nights an enormous amount of tracks had been recorded and several rough mixes had been compiled.
After a while though, Schlingensief decided to shift the concept. The film transformed into an art installation with 18 monitors showing sequences simultaneously (presented at the Berlinale and Steirischer Herbst), and later on, a kind of Making of... with 90% off-comments by Christoph Schlingensief and very little music was made.
Thus, The African Twintowers Suite represents a lost soundtrack; compiling the most interesting recordings, newly edited, layered, collaged, shortened and mixed between 2009 and 2010. - Diogenes.
- Hanno Leichtmann is also known from this one:
- On the Austrian MOSZ label. I grabbed this one from Amie.
Prosa marks the first collaboration between Marihiko Hara and Tomas Phillips.
Utilizing a diverse range of instrumentation, both electronic and acoustic, Prosa is as still as it is dynamic. Its formation (a transcontinental process, through the post) was an exercise of patience and concerted application alike. Thematically (but indirectly), Prosa shares a space with writers whose palette wavers between existential crisis, awkward distance, and snapshots of emotional expenditure (e.g. Jean-Philippe Toussaint) and with certain "quiet" descriptions found in classical Japanese literature. Phillips and Haras mutual effort to treat sounds as words, and otherwise abstract music as narrative yields a composition that can be viewed as a whole or digested in chapters. The duos confident choice to display sentimentality alongside a detached abstraction (thus referencing the sensibilities of such labels as 12k, Raster-Noton, and 4AD) makes for a captivating listen that will appeal to fans of modern classical, electronic and acoustic experimentation, and contemporary ambient.
Tomas Phillips is a composer, novelist, and teacher whose sound work focuses on improvisational performance and minimalist through-composition. He began composing electronic music in the early 1990s and has since created music for installations and collaborations in dance and theatre. He lives in the US, where he teaches literature at North Carolina State University.
Marihiko Hara is a composer residing in Kyoto, Japan and a representative of the artist collective, Rimacona-lab. He composes self-reflective music that explores our relationship with sound and values the strength of silence. Marihiko is a member of Rimacona, a pop group with female vocalist Natsuko Yanagimoto. Tenchrec.com
You're welcome Kargatron. Maybe you should also check this one out:
NEW SERIES FRAMEWORK
"An extension of our CONCRETE ELECTRONICS NOISE,
a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers." - (Sub Rosa 2010)
Cristian Vogel is a composer, music producer and sound artist, known for his experimental DJ and Live performances, compositions for contemporary dance and studio productions. Born in Chile 1972 and raised in the UK, he is currently based in Barcelona. In 1995 he graduated in 20th Century Music Studies at Sussex University, under the tutor-ship of the British composers, Johnathan Harvey and Martin Butler. Since then, he has recorded many unique albums, releasing on eminent experimental techno labels such as Tresor Berlin, Novamute, Mille Plateaux and other underground vinyl labels. Cristian has been touring worldwide since 1993 as DJ and live improvisation, both as solo artist and for a period with Jamie Lidell in Super_Collider. Of late, he has been singing and playing guitar in his song-based band project Night of the Brain.
As studio remixer, he has been invited to reinterpret songs by artists as diverse as Radiohead, Maximo Park, Thom Yorke, Juan Atkins, Pedro Carneiro among many others. Cristian Vogel's album producer credits include albums for Kevin Blechdom, Chicks On Speed, Cafeneon, Panico, Virüs, Las Perras del Infierno and others.
In 2003, Cristian began working in contemporary dance with the composition of original scores and live soundtracks for the renound Swiss choreographer Gilles Jobin. To date, he has collaborated on five critically acclaimed pieces for Jobin, which have been performed in theatres around the world, such as Theatre de la Ville in Paris and Spiral in Tokyo. Two Thousand and Three for the Geneva Ballet (2003), Delicado for the Gulbenkian Ballet (2004), Steak House (2005), Double Deux (2006), Text To Speech (2008), Black Swan (2009).
Black Swan was composed in 2009 on location in Geneva and Annecy, in co-creation with the choreographer Gilles Jobin. The resulting dance piece for four performers has toured the world, from Africa to Japan and South America. More information about the piece can be found at http://gillesjobin.com - Sub Rosa.
- Not Not Fun 26. oktober 2010. Genre: Alternative/Punk
Style: Alternative Experimental
Label: Not Not Fun / Revolver
An all-out stunner from Brian Pyles aka California's Starving Weirdos, joining in on NNF's current soundtrack-y agenda with an incredible solo album. 'Psychical' is about as heavy as they come, for synthesized dreams of dark African dread and blood curdling ambience, at least. The whole album plays through like a movie itself, tracks blending into one another like scenes to effectively toy with your senses of fear and what-the-f**k comes next... doom laden drones blacken the horizon to all the peripheries creating a tense atmosphere for panned hand-drums, incantations of "Blood and Marijuana", unheimlich poetics and even a cameo from Tom Carter ov Charalambides, shredding the acid red skies with guitar on 'Real Things'. We fear we might be giving too much away and spoiling the fun at this point so we'll just say this is one of the darkest and most affecting sides of schlock horror we heard all year. Limited copies only, and featuring occult VHS artwork by Manda Beth Brown. - Boomkat.
Courant.air is the continuation of a body of work intertwining instrumental and electronic music following the acclaimed 2004-2008 work les arbres (Mention, Prix Ars Electronica 2009).
The mixture this time is more edgy : a rich and complex electronic sound composition alongside the folk inspired guitar played by Simon Trottier (member of the extraordinary haunted blues band Timber Timbre). After 2 albums of improvised folktronica with Simon Trottier, Nicolas Bernier decided to explore that singular mixity further in a formal compositional context. This time, Trottier is interpreting the music written and scored by Bernier.
Conceptually, the piece is wind powered. Wind as a constructive/destructive agent. Wind as an agent of travel (oh! the sailing ships of Jacques Cartier). Wind as a propulsion engine of particles in constant movement in the air. Wind as noise. Wind is sound. Wind and music are Invisible.
BIO:
Electroacoustic artist, surround sound composer, occasional curator, old typewriter aficionado and sandcastle manufacturer. Careless about aesthetic tags, Nicolas Bernier navigates trough live electronics, installations and art video, as well as music for dance, theatre and cinema. In the midst of this eclecticism, his artistic concerns remain constant: the balance between the cerebral and the sensual, and between organic sound sources and digital processing. His works have been awarded and broadcast in festivals around the world including Prix Ars Electronica (Austria), AKOUSMA (Canada), MUTEK (Canada), DotMov Festival (Japan) and Transmediale (Germany). He his the founder of the sound art microorganism Ekumen. - Ahornfelder.
Nicolas Bernier & Simon Trottier has two EP's out on the 12rec netlabel:
Words by Nicolas Bernier
This work is a pop concrète collage.As says the title, rhythm is the cornerstone of The Dancing Deer. Even tough the rhythm can quite subtle, the piece is built on a constant pulse. In an 18 minutes pathway through diverging states, it brings together elements of drones, clicks, minimal, maximum, song writing, poetry, post-rock, electronic and instrumental music in a strange and uncommon atmospheric collage. Its antithesis, The Dead Deer, is a relatively static soundtrack, despite being composed of micro-details. The project is a musical translation of a couple months spent in the Canadian West.
Words by Ian Hawgood - (Home Normal label curator)
A few years ago now, I first got really really into the music of two artists who I consider to this day to be the two most talented and capable artists around. Not a lot has changed since then as they have continued to operate on their own level, in their own way, quietly but steadily releasing incredibly detailed works of beautiful organic instrumentations. The two artists in question are offthesky (Jason Corder) whose record Hiding Nature we released earlier in the year, and Nicolas Bernier. The first work I ever heard by this fabulous Canadian artist was also one of my favourites that year (2007) - the excellent Objet abandonné en mer on the rather special German label 12rec. The album was a collaboration with the folk guitarist Simon Trottier and the perfectly balanced melding of electronic and organic just blew me away. Not too long after this I also released my album Enfants Ruraux on the same label, and they recommended using the same artist and designer for my release - the irrepressible Urban9. Through this, Nicolas and I soon got in contact and have become firm friends since then.
Over a year ago now, Nicolas sent me some work he had on the go - one being a full album of processed piano and cello pieces which will be released by Home Normal early next year, the other The Dancing Deer EP. I was against the idea of releasing an EP on Home Normal at the time, but then of course I went and put it on. Within two minutes Id ripped my headphones off and whacked it into the studio speakers, pumping up the volume until the walls shook and my ears nearly bled. My initial reaction was to scratch my head in confusion at how an artist like Nicolas, so talented at processing and layering organic work so beautifully, had come up with the most amazingly powerful (dare i say kind of rocking) pop concrète collage if you will. Its an astonishing, perfectly formed work which slowly builds up using spoken vocals, crisp thin beats, melodic keys and increasing noise, only to be cut down to its bare vocal bones then back in with a wham of guitars above all else. It rocks out basically and just proves that this award-winning artist and director (he is the founder of the sound art microorganism Ekumen, member of the media art organization Perte de Signal, the art director of R Seaux, a major Canadian electroacoustic concert producer AND his works have been awarded and broadcast in festivals around the world including Prix Ars Electronica (Austria), AKOUSMA (Canada), Mutek (Canada), DotMov Festival (Japan) and Transmediale (Germany)!) is one of the brightest talents of the musical and art worlds today, even if the more mainstream world doesnt know it (yet). - Home Normal
A gorgeous, hazy journey through the psyche of Geoff Mullen: Geoff Mullen - Bongo Closet - Type Vinyl, August 2010.
Providence, Rhode Island operative Geoff Mullen has been working beneath the popular music radar for some time now, putting his name to a number of limited cassettes, cdrs and vinyl albums. It is hardly surprising that in that time he has developed something of a cult following in the New England scene, with live performances (solo and together with Keith Fullerton Whitman) and his own Rare Youth label garnering him a loyal throng of rabid fans.
Using the guitar, synthesizer and a selection of well-developed processes, Mullen has come up with a unique sound difficult to pigeonhole. Throughout the album the sounds feel so effortlessly unified that one can completely forget the individual instruments themselves. It is hard to believe that the synthesizer used (the legendary Yamaha CS50) is the baby brother of the CS80, heard so distinctively piped into Deckards electric dreams in Blade Runner. The distant, dusty tones and pulsating rhythms bring to mind instead memories of early Popol Vuh or something altogether more defiant. As a veteran guitarist, writing Bongo Closet was Mullens search for different ways of playing music, and these weathered, deeply personal songs are the result. Rich with emotion and surprisingly detailed, there is the sense that the technology never informs the creative process. Mullen is using his chosen instruments without a care for what they can and cant do they are tools in the creation of his music, never the other way around.
Bongo Closet is an intensely human listening experience. Teeming with life and breathing as it coughs and splutters, there is an unavoidable attachment felt almost instantly as a listener. This is music that drags you in and simply refuses to let go. - Type Records. - (full album streaming)
Steve Roach has another new one out. I actually have very mixed feelings about his stuff, but I have liked some of it. Watch for the caveat emptor in the emusic user's review, though - apparently two of the tracks are defective.
Ian Boddy career retrospective released on two discs:
The 1st CD titled Outer DiN contains 15 solo pieces that were not released on Boddys own DiN label. In the listing are 3 compositions from his DeWolfe library music albums which give an interesting dimension to the playlist. This CD is very reminiscent of Tangerine Dream and other pioneers of synth based electronica and really takes on you a trip into the heritage of this genre. The 2nd CD Inner DiN features 13 collaborations with other artists like Robert Rich and Chris Carter, all released on the DiN label which is now on its 36th release. The second CD is a real tour de force of sound design and contains some interesting blends of rhythms and textures with an overall more contemporary feel.
An Over the Rhine release is always worth noting. The new CD, The Long Surrender, just came out. I suggest buying it direct from the artists - they financed it kickstarter-style, and are fine people who are not fabulously wealthy. It might appear on emusic eventually, though there is an odd subset of their releases available there. A post on the artist home page gives the official release date as 2/8 but it's shipping already with immediate download available on purchase of the CD.
Certainly, it is the best-sounding Over the Rhine album, something that should come as a surprise to absolutely no one; the album marks their first collaboration with Joe Henry, a record producer whose work always favors warmth, intimacy, and simplicity as a road to something resembling the Truth a sensibility that seems custom-built for Linford and Karin. One might be less surprised that Henry and OtR have found each other than that it took them so long to get around to it; the universe has its own timing for this sort of thing, I suppose. But what astounds is how sympathetic the pairing is for someone who has no history with this band to speak of, Henry understands what makes for a great Over the Rhine album with remarkable clarity, and he has aided them in creating just that not a departure so much as an album that embraces the bands essential Over the Rhine-ness and therefore feels, immediately, like their most essential work.
Which is all to say that this isnt quite a curveball it doesnt lunge out of the same left field that produced the oddball classic Films for Radio, or even the festive Trumpet Child but rather it is a deepening of the sound of albums like Good Dog Bad Dog and Ohio, albums that chase the elusive spirit of Americana without seeming to care so very much about whether they actually catch it; the fun, it seems, is in the pursuit. Even so, this is their most seamless and integrative album, more graceful than anything theyve done in its elegant conjuring of country, folk, gospel, and jazz.
Indeed, part way through a first listen, it sounds fantastic.
This EP contains 7 remixes of tracks taken from Systems critically acclaimed 2010 album "B".
Mastered by Antony Ryan of ISAN, the EP kicks off with a live version of the track "Drk" from System themselves. This version is the same as used in the video below.
Next ISAN (UK/Morr Music) get bleepin' innovative on their remix of "Drk" while Boxcutter (UK/Planet Mu) adds 2-step and guitars to the same. Watch out for the surprising change half way through!
Rumpistol (DK/Rump) puts the swing into "Alpha" while Aslope (DK/Hobby Industries) surprises with his techy remix of the same.
Copia Doble Systema (DK/Urban World) slow down "Stanley" way good and invent a new genre: clicks'n'cumbia, before Maffi (DK/Jahtari) finishes off in a skanking 80's dancehall style. FRESH! Stream.
In 1994 Anders Remmer (aka Dub Tractor), Thomas Knak (aka Opiate) og Jesper Skaaning (aka Acustic) met around the compilation series 'Boredom Is Deep And Mysterious', which they were compiling for April Records. After having used the name D.A.W.N. for a while, they changed their name to Future 3.
With their cool minimalism and their intelligent mix of dub and ambient, Future 3 made quite an impact on the electronic scene at that time.
After Kruder & Dorfmeister listed Future 3´s debut album 'We Are the Future 3' as one of their top 5 albums of all time, the trio were catapulted into the collective conciousness of lovers of electronic music. Since the early Future 3-days, the trio has found pleasure in experimenting with different electronic genres of the day, from the melodic dub-ambient on the debut 'We are the Future 3' to the understated escapades into drum´n´bass on their breakthrough hit: 'The Boy From West Bronx' from 1998´s 'Stay With'.
Where 'Like...' from 2001 was close to being pop-electronica (with vocals by Jonas Bjerre of Mew among others), the 'System' album from 2002 (released on Scape) saw the trio break away from the melodicism that had characterized their work since the beginning. The sound on the album was so strikingly different that the group felt a new name, System, was necessary.
Due to each groupmembers solo-output and label involvement, new group-material from Denmarks 3 electronic pioneers has become a quite rare experience. Many of Anders Remmer´s Dub Tractor releases on City Center Offices as well as Thomas Knak´s Opiate releases on April, Morr Music and Raster Noton (with Alva Noto as Opto) has long been acclaimed as milestones in modern electronic music. Thomas Knak has also been busy with his Hobby Industries label, producing for Björk on the Vespertine album as well as remixing for Efterklang, Sketch Show and Ryuichi Sakamoto. And then there is Jesper Skaanings´s Acustic project, which was featured on Rump in 2005 with the 'Welcome' album.
In a way Systems 'Tempo EP' continues the sound of the System album on Scape, only this time presented in a slightly faster tempo, hence the title. It´s no secret that the group have been listening to two-step and dub-step, but instead of being a rip off of the genre, System incorporates the UK-styles into their own sound universe, creating something that sounds much more like System than like Skream.
"Traffic's "John Barleycorn Must Die" (Island) enters another phase of CD reissue - the remastered and deluxe 2CD edition. Disc One has been restored to its original 1970, 6-track running order while Disc Two, which was compiled by Steve Winwood contains alternate mixes of "Stranger To Himself" and "Every Mother's Son" and the first version of "John Barleycorn Must Die" plus seven songs recorded live in 1970 on Nov 18 and 19 at the Fillmore East in New York. These are available officially for the very first time! It will be on sale Feb 7. Frankly, we would have much preferred the complete shows on Nov 18 and 19, 1970. Both shows were professionally recorded. But that's probably for yet another reissue."
In 2005 Deaf Center left an indelible impression on the cinematic / modern-classical / dark ambient scenes with the release of their classic first LP - 'Pale Ravine'. After a long wait, the duo of Erik Skodvin (aka Svarte Greiner) and Otto Totland (aka Nest) arrive at their 2nd album in a deeply solemn and contemplative mood.
For the next chapter of their story the mysterious imagery is rendered even sharper, as though someone on the inside wiped a palm on the window of their haunted cabin in the woods. This is largely attributable to the fact the album was recorded at Nils Frahms' Durton studio, where the lo-fi graininess and techniques of their early work was brought to life with hi-end engineering and analogue equipment, allowing the duo to articulate their supernatural stories with more evocative detailing and widescreen atmospherics.
Opening to the scraped strings and seismic bass shudder of 'Divided', you're ushered striaght through to a world of sound that's tangibly more powerful, and equally more sensitive, than anything the pair have produced to date, with Totland's piano anointing the air of 'The Day I Would Never Have' with ethereal pensiveness before Skodvin's cello expands like a dense, blackened cloud of smoke. Through the smaller vingettes like 'Fiction Dawn', this forested gloom colours the album through to the slow, vacuous pressure system of 'Close Forever Watching', its surge of cold black air almost brutally resolving the atmospheric tension.
We know how many of you value and cherish Deaf Center's first LP and we can sincerely say that 'Owl Splinters' is like returning to a dream you once had, only this time you're awake and the dream is hauntingly vivid.
The emu daily download sounds pretty good today. It's from someone named "Ensemble" and their album "Excerpts".
They sound like a cross between Stereolab and and crap, I can't come up with it, starts with a T, not Twinemen, shit, some French band with moody vocals and strings and sometimes sings in French.
Anyways, if I was still a member, I would download this free track. Here's amazon samples, where it costs nine bucks...
- 12K - 2011
Tasogare: Twilight. The light between day and night.
Live Recordings from:
Minamo
Sawako + Hofli
Moskitoo
Solo Andata
Taylor Deupree
Recorded live on April 10th and 11th, 2010, Tasogare: Live in Tokyo documents the performances of five 12k artists at two temples in Tokyo, Japan. Komyoji Temple (April 10th) saw the first-ever performance in Japan by Australias Solo Andata, known for creating deep, textured music with found objects, homemade instruments and very little in the way of electronics or software tricks. The duo was joined by 12k veteran Sawako whose voice and delicate computer work were accompanied by guitarist Hofli and Moskitoo who always plays the line between experimentalism and abstract pop.
On April 11th, the 12k weekend moved to the Frank Lloyd Wright designed Jiyu Gakuen Myonichi-kan where Solo Andata performed again, this time with the improvisational beauty of the four-piece Minamo and label- founder Taylor Deupree whose travel-worn state musically played out in the most hushed and calming way.
Tasogare: Live in Tokyo represents the importance of recording and keeping documents of performances seen and heard around the far corners of the globe - a chance for many others to hear what went on a world away in live sets that cant, and wont be duplicated again.This edition also represents the adventures formed by artists connected by a label, sharing travels, food, photography, music and sleepless nights. It is the way in which each artist, in their own unique and completely different sounding way, contributes to a collective spirit. 12K
Another beautiful sweeping dense work by German artist Stephan Mathieu. Remain, a new 60 minute composition utilizes original material from Janek Schaefers Extended Play, reprocessed by Stephan Mathieu between September 2008 and October 2010 using an entropic setup, spectral analysis and convolution processes. A companion piece to A Static Place on 12k.
- Line
Comments
Also just DL'd this for the holidays from Cheech and Chong -Santa Claus and his Old Lady. Far out.
Edit - looks like the dirty bastards are having the annual Booster sale - $25 for $20, or $45 for $35, so I won't have to wait for refresh to be Falling Off The Roof.
2nd Edit: Did it. Dug it.
Genre: Soundtracks/Other
Label: Dekorder / Diogenes Music
- Hanno Leichtmann is also known from this one:
- On the Austrian MOSZ label. I grabbed this one from Amie.
Closer to the Small / Dark / Door by Vanessa Van Basten
- I have no idea who this is but I like the cover and the clips sounds interesting.
Tomas Phillips - Prosa - (Tench (USA), 2010)
Longest Year by Hammock
Released December 14. $5 at bandcamp, yet to reach emusic.
NEW SERIES FRAMEWORK
"An extension of our CONCRETE ELECTRONICS NOISE,
a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers."
Genre: Alternative/Punk
Style: Alternative Experimental
Label: Not Not Fun / Revolver
Nicolas Bernier & Simon Trottier has two EP's out on the 12rec netlabel:
Nicolas Bernier - 12rec @ Bandcamp
My two cents: I would have added a series of well chosen superlatives here. Nothing seemed to match.
Nicolas Bernier - The Dancing Deer - EP - (Home Normal)
Apparat Organ Quartet is:
Arnar Geir
Geoff Mullen - Bongo Closet - Type Vinyl, August 2010.
Cheaper on 7digital.
(by the way, there's a decent DiN sampler free on emusic)
Indeed, part way through a first listen, it sounds fantastic.
- Oh Man ! ! !
-
"Traffic's "John Barleycorn Must Die" (Island) enters another phase of CD reissue - the remastered and deluxe 2CD edition. Disc One has been restored to its original 1970, 6-track running order while Disc Two, which was compiled by Steve Winwood contains alternate mixes of "Stranger To Himself" and "Every Mother's Son" and the first version of "John Barleycorn Must Die" plus seven songs recorded live in 1970 on Nov 18 and 19 at the Fillmore East in New York. These are available officially for the very first time! It will be on sale Feb 7. Frankly, we would have much preferred the complete shows on Nov 18 and 19, 1970. Both shows were professionally recorded. But that's probably for yet another reissue."
Owl Splinters by Deaf Center
Release Feb 14. From the Boomkat newsletter:
They sound like a cross between Stereolab and and crap, I can't come up with it, starts with a T, not Twinemen, shit, some French band with moody vocals and strings and sometimes sings in French.
Anyways, if I was still a member, I would download this free track. Here's amazon samples, where it costs nine bucks...
http://www.amazon.com/gp/product/B004AW9BUY/ref=dm_sp_alb
EDIT: Tindersticks. That's the name of the band I was tryin' to think of.
Tasogare: Twilight. The light between day and night.
Live Recordings from:
Minamo
Sawako + Hofli
Moskitoo
Solo Andata
Taylor Deupree