(etre) - Inferno From My Occult Diary - "etre) is the project of Italian experimental musician Salvatore Borrelli and Inferno From My Occult Diary is his strongest work to date. (etre) layers a multitude of instruments, electronics and field recordings to create a dream like snap-shot of a particular time and place in his life. His musical approach is based on new and old methods of reworking soundscapes including minimalism, improvisation and electro-acoustic. Emotionally Inferno From My Occult Diary evokes a dark ritualistic tone but with cracks of warmth and humanity scattered about." Porter Records 2011
Ernst Reijseger, cello/Molla Sylla, vocals/Tenore e Cuncordu de Orosei, vocals
- "Music has always played a central role in Werner Herzogs art. For the director of such award-winning films as Grizzly Man and Woyzeck, the music is never an add-on but always an integral part of any creation, whether feature film or documentary. In 2004, Werner Herzog came to Munich to see Stefan Winter because he wanted to find some very special music for his films The Wild Blue Yonder and The White Diamond.Winter played him Ernst Reijsegers recordings, and Herzog found what he was looking for. Herzogs musical vision led to extraordinary recording sessions in Paris and Ludwigsburg with Dutch cellist Ernst Reijseger, Senegalese vocalist Mola Sylla, and the Voches de Sardinna Tenore e Cuncordu de Orosei. An initially unlikely assemblage led to this powerful, unique, and extraordinary work. Uniting it with vintage recordings from Friedrich Händels Dank sei dir Gott featuring contralto Emmi Leisner, a very original score was produced. Ernst Reijseger and Stefan Winter remixed the music recorded for Herzog to create an autonomous album. Requiem for a Dying Planet is dedicated to this wonderful planet and the beauty of living." Winter & Winter 2006
There's a new Winter & Winter coming out this year that reunites Ernst Reijseger, Molla Sylla & Harmen Fraanje... the same trio that made one of the best album of 2013...
"Down Deep," which, not coincidentally, is now playing.
the same trio that made one of the best album of 2013...
- Thanks,
"Down Deep" seems to be unavailable on music.
I've been hovering around the latest Winter & Winter addition for some time:
NP:
Ensemble Musikfabrik NRW:
Nándor Götz [clarinet,
soprano-, alto saxophones];
Alban Wesly [bassoon];
Jan Babinec [horn];
Bruce Collings [trombone];
Melvyn Poore [tuba];
Thomas Oesterdiekhoff [marimba-, vibraphone, drums];
Seth Josel [guitar, mandoline, banjo]; Paulo Alvares [piano];
Gheoffrey Wharton [violin];
Heinrich Schkrobol [acoustic bass]; Mauricio Kagel [conductor, keyboards, voice]
Notes From The Label: "In Spring 1996 I visited a music fair for the first time. Many aspects of this sort of event, in which instruments and electronic equipment are tried out, and musical presentations of all kinds take place at the same time, where the curiosity of the customers, the inflated sales pitch of the producers, the polyphony of noises and sounds and the incessant professional patter all mix into an unimaginable polyphony, inspired me to make this composition."
and Dave Kerman drums, guitar, keyboards
Sanjay Kumar keyboards
Bob Drake vocals, bass guitar, guitar, violin, recording engineer
with:
Thomas Dimuzio electronics
Susanne Lewis vocals
James Grigsby guitar, vibes, bass
Michelle Bos utensils, penny fountain, skydiving ocarinas, metal tables, creaks, blue rocks
- "5Uus is one of the more perplexing bands limning the rock-in-opposition/prog rock ethos and also one of the most inventive. The group's music displays vigorous bouts of energy amid a refined and literate sense of wordplay. Lyrics are free of the political baggage clinging to Dagmar Krause's similarly penned poetics and reflective of a playful sense of both the bizarre and the Byzantine--via Lewis G. Carroll's looking-glass. Thankfully, 5UUs swathes its ornate words in an equally hyper-intense and near-psychedelic aura of shrill guitars, keyboards that test the limits of 88-key endurance, and tumbling avalanches of percussive variants.
The presence of guest Thomas DiMuzio, who contributes his own crazed collection of electronic paraphernalia to the soup, only exacerbates an already frenzied atmosphere. Nursery rhymes somehow find themselves led lemming-like through a forest perilous of King Crimsonesque nuclear bursts, while sweet harmonies hint at a parallel-universe Yes and Henry Cow/Art Bears chamber-rock pyrotechnics. HUNGER'S TEETH is an unsettling yet cathartic trip for the metabolically challenged." Allmusic - ReR Megacorp 1994
Two more from my haul from the Greatest 50 Jazz list. I do need that £100 bonus at emusic to get more!!!! Alternatively I could, of course, invest in a Booster Pack...
Just in @ Bandcamp:
Tales of Murder and Dust:
Kathrine Kaspersen
Kasper Lund Resen
Jacob Korsgaard Jensen
Kristoffer Vilsgaard
Christian Sinding Søndergaard
Simon Toftdahl Olesen
Comments
Seven albums from that list added for not a lot of credits!
(etre) - Inferno From My Occult Diary
- "etre) is the project of Italian experimental musician Salvatore Borrelli and Inferno From My Occult Diary is his strongest work to date. (etre) layers a multitude of instruments, electronics and field recordings to create a dream like snap-shot of a particular time and place in his life. His musical approach is based on new and old methods of reworking soundscapes including minimalism, improvisation and electro-acoustic. Emotionally Inferno From My Occult Diary evokes a dark ritualistic tone but with cracks of warmth and humanity scattered about."
Porter Records 2011
And:
Aphex Waits - an Eskmo mashup
Live in Gdansk
Ernst Reijseger, cello/Molla Sylla, vocals/Tenore e Cuncordu de Orosei, vocals
- "Music has always played a central role in Werner Herzogs art. For the director of such award-winning films as Grizzly Man and Woyzeck, the music is never an add-on but always an integral part of any creation, whether feature film or documentary. In 2004, Werner Herzog came to Munich to see Stefan Winter because he wanted to find some very special music for his films The Wild Blue Yonder and The White Diamond.Winter played him Ernst Reijsegers recordings, and Herzog found what he was looking for. Herzogs musical vision led to extraordinary recording sessions in Paris and Ludwigsburg with Dutch cellist Ernst Reijseger, Senegalese vocalist Mola Sylla, and the Voches de Sardinna Tenore e Cuncordu de Orosei. An initially unlikely assemblage led to this powerful, unique, and extraordinary work. Uniting it with vintage recordings from Friedrich Händels Dank sei dir Gott featuring contralto Emmi Leisner, a very original score was produced. Ernst Reijseger and Stefan Winter remixed the music recorded for Herzog to create an autonomous album. Requiem for a Dying Planet is dedicated to this wonderful planet and the beauty of living."
Winter & Winter 2006
(To go along with Braxton's composition for 18 instruments)
Loving this one; a lot of Afro-Cuban stuff; especially Afro-Cuban Jazz Suite. I hadn't realized Parker did so much in this area.
A West Coast gem that deserves more listening than I have given it lately. A couple of informative reviews at the Amazon page
There's a new Winter & Winter coming out this year that reunites Ernst Reijseger, Molla Sylla & Harmen Fraanje... the same trio that made one of the best album of 2013...
"Down Deep," which, not coincidentally, is now playing.
Stafraenn Hakon - " skettir edik a ref"
"Down Deep" seems to be unavailable on music.
I've been hovering around the latest Winter & Winter addition for some time:
NP:
and
Dave Kerman drums, guitar, keyboards
Sanjay Kumar keyboards
Bob Drake vocals, bass guitar, guitar, violin, recording engineer
with:
Thomas Dimuzio electronics
Susanne Lewis vocals
James Grigsby guitar, vibes, bass
Michelle Bos utensils, penny fountain, skydiving ocarinas, metal tables, creaks, blue rocks
- "5Uus is one of the more perplexing bands limning the rock-in-opposition/prog rock ethos and also one of the most inventive. The group's music displays vigorous bouts of energy amid a refined and literate sense of wordplay. Lyrics are free of the political baggage clinging to Dagmar Krause's similarly penned poetics and reflective of a playful sense of both the bizarre and the Byzantine--via Lewis G. Carroll's looking-glass. Thankfully, 5UUs swathes its ornate words in an equally hyper-intense and near-psychedelic aura of shrill guitars, keyboards that test the limits of 88-key endurance, and tumbling avalanches of percussive variants.
The presence of guest Thomas DiMuzio, who contributes his own crazed collection of electronic paraphernalia to the soup, only exacerbates an already frenzied atmosphere. Nursery rhymes somehow find themselves led lemming-like through a forest perilous of King Crimsonesque nuclear bursts, while sweet harmonies hint at a parallel-universe Yes and Henry Cow/Art Bears chamber-rock pyrotechnics. HUNGER'S TEETH is an unsettling yet cathartic trip for the metabolically challenged."
Allmusic - ReR Megacorp 1994
Two more from my haul from the Greatest 50 Jazz list. I do need that £100 bonus at emusic to get more!!!! Alternatively I could, of course, invest in a Booster Pack...
Sir BN's "Does Humour Belong in Music ?" FMA Christmas Mix
Tales of Murder and Dust:
Kathrine Kaspersen
Kasper Lund Resen
Jacob Korsgaard Jensen
Kristoffer Vilsgaard
Christian Sinding Søndergaard
Simon Toftdahl Olesen
Genre: Neo-Psychedelia, Shoegaze, Drone.
Location: Aarhus, Denmark
Playing live @ The Shacklewell Arms London tomorrow.
Gotta love amazon auto-rip; $8.99 for the cd when it's out and I get to listen now.