What are you listening to right now? (13 Indigenous grandmothers are praying for the planet)

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  • edited October 2014
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    I knew that there would be something to download (see above). To quote Jonah
    Rafael Karlen, The Sweetness of Things Half Remembered: Absolutely gorgeous chamber jazz recording, featuring saxophonist Rafael Karlen and pianist Steve Newcomb, along with a string quartet. It’s music that’s constantly in motion, always active, yet has a deceptively languorous disposition. A lot of this has to do with the thick harmonies from the string quartet, but they zip along at times, too. Mostly, though, it’s in the way the songs modulate their speed, with bursts of acceleration then soon after slowly taking the foot off the gas pedal. Talkative and elegant, both. Fans of Benjamin Koppel’s Adventures of a Polar Expedition should just hit the download button and don’t look back. An absolutely enthralling release. Pick of the Week.
    The cover link takes you to Bandcamp where you can preview the album - but emusic (in the UK at least) is considerably cheaper.
  • edited October 2014
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  • edited October 2014
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    - " Magma is the French brain-child of drummer/composer Christian Vander formed in Paris in 1969, disbanded in 1983 and reformed in 1996. Starting with a base of experimental rock heavily influenced by jazz and 20th century classical music, the band developed such a unique style of progressive rock that it became a new genre called zeuhl. Characterized by insistent and repetitive rhythms, dramatic vocals, virtuosic solos, heavy bass playing, and jazzy drums, Zeuhl has been emulated by numerous followers from all over the world.

    Much of Magma’s music is written in the constructed language known as “Kobaïan” and concerns a lengthy saga about Earth and the planet Kobaïa, with spiritual and environmental themes."
  • LCD Soundsystem - This is Happening

    Talk about too much music syndrome; found this when scrolling through my amazon; didn't even remember I had it. I think it was a guvera thing. But I had wanted to listen too it because it ranked so high on pitchfork's best of the decade so far list. That seems like an odd list to put out, four years into a decade; well no I guess five, so halfway, so that makes more sense! Anyway the list is a fun way to re-structure listening, and I was surprised how many of them I had; mostly from amazon sales.
  • Pink Floyd - The Wall
  • edited October 2014
    I'm listening to a playlist I created last year,
    The Periodic Table of Tunes, that has each
    of the 118 elements, in order, either in the
    song title or the band name.

    Elements 1-30

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  • You're a crazy dude, rostasi. Love it.

    Craig
  • What a noble pursut; a real gas! But need more heavy metal
  • Thanks guys. It was a real challenge especially as I got near the end.

    Elements 31-60

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  • edited October 2014
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    Personnel:
    Jonny Spall - alto and baritone sax
    Mark Hanslip - tenor sax
    Grahan Fox - drums
    Ross Stanley
    Riaan Vosloo - double bass, other basses and electronics, laptop
    Tim Giles - drums

    ETA: Hey, they have their very own thread from 2011
  • Ayuo Takahashi - Private Tapes 1985-1995
  • edited October 2014
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    The Golden Age of Steam - Welcome to Bat Country
    while the twin notions of "imaginary soundtracks" and "Lynchian" music have been flogged to death by now, there’s no denying the oddly evocative – and evocatively odd – atmosphere that hangs over the whole session: a skewed, David Lynch-style vision of reality gone wrong. Allsopp’s compositions show a sly disregard for genre, and a keen sense of the potential absurdity inherent in juxtaposition. Aglow / Piano Dentist begins with a synthetic classical interlude – like a dreamy Vangelis score – before erupting into a brutal punk thrash with wild altissimo sax skronk, which in turn gives way to proggy, Hammond-led trickery. Quiet Now mixes snatches of distant strings with a creeping, robotic rhythmic clank and plangent droplets of organ. (BBC review)

    Interesting. Enjoying it.

    ETA: bitw review
  • I'm amazed that tracks exist for all of those man made elements.

    Aphex Twin - I Care Because You Do
  • edited October 2014
    Was:

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    Now:

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    Trying to liven up a quiet Friday morning at work.
  • edited October 2014
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  • Arcade Fire - Suburbs
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    Great, now I have "Magneto and Titanium Man" running through my head. Thanks, rostasi...
  • I wonder what the average time is between an element being added and someone naming a song after it.
  • @bremble That Kills album is very good!

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  • edited October 2014
    Fortunately, there are only so many bad pop songs with elements in the title
  • It's strange, but maybe predictable that
    the more recent element names find their
    ways onto more experimental-based works.
    Probably the more creative electronic works
    are given these rather obscure titles derived
    from the element names. I think that only 117
    have actually been confirmed - the 118th being
    in preparation - while many others are awaiting
    "official" name status after they go thru a board
    that decides this kind of thing. One of the tracks
    actually describes some of this process. Anyway...

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  • edited October 2014
    David Shea – Rituals
    US-born, Australia-based composer David Shea has already amassed quite the catalog over his estimable career.
    He still might be best known for his work with John Zorn’s Tzadik imprint, but Shea’s been working tirelessly over
    the last five years on a new album (his first in almost a decade) of “outer-wave electro-acoustic deconstructions.”
    Released on Lawrence English’s Room 40, Rituals is a collection of music influenced by ceremonial rituals,
    after Shea spent time immersing himself in “traditional ritual music centered on Buddhist and Taoist traditions”
    and the influential musique concrete of Luc Ferrari and Giacinto Scelsi. Both Oren Ambarchi and Lawrence English
    make guest appearances on the album, adding to Shea’s mesmerizing drone soundscapes.

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  • John Zorn – Valentine’s Day

    with Marc Ribot, Trevor Dunn, and Tyshawn Sorey

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