“Ich und Sie - ein Roman aus dreibuchstabigen Wörtern“ (Me and Her - a novel of three-letter-words) was a work she started in 1993 and finished in 2009. As the title suggests it consists entirely of three-letter-words.
Two CDs (total 112 min) in fullcolour six-panel DVD-sized digipak, illustrated with pages of the manuscripts of "Ich und Sie“, a biographical text and chronology of the work in english by Marc Schulz, and the text "The Speaking Art of Andrea Tippel“ by Dorothy Iannone, written in 2019 especially for this publication.
Edition of 250 copies.
ANDREA TIPPEL was born 1945 in Hirsau/Black Forest, and grew up as the middle of three sisters in Bremen. Her parents were the architects Maria Alexandra Mahlberg and Klaus Tippel. In 1969 she was a state-certified actress (Max-Reinhardt-Seminar in Vienna and Berlin), then studied philosophy and psychology in Berlin, Hamburg, and Munich.
In 1971 Tippel moved to Berlin and started to create drawings, objects, composites, texts and books, as well as a few oil paintings. In 1974 she had her first exhibition with Tomas Schmit, started to produce artist books in 1980, and editions for various galleries from 1987. She maintained close friendships with Suzanne Baumann, Henriette van Egten, Ludwig Gosewitz, Dorothy Iannone, Dieter Roth, Tomas Schmit, Jan Voss and Emmett Williams. Tippel was appointed as a professor at the Hochschule für Bildende Künste Hamburg in 1997, and co-founded the Dieter Roth Academy (DRA) in 2000. She passed away in 2012 in Berlin.
from the liner-notes by Marc Schulz: "The sketchbook version of the novel comprises 123 pages, and of these 97 pages were finished already in 1993. Another four pages were composed in 1995, 15 pages in March 1999, and seven further pages between 2007 and 2009. Andrea Tippel takes leave in the last pages of her recently deceased friends, among these Tomas Schmit, Ludwig Gosewitz, and Emmett Williams. The novel appeared in various printed and recorded versions: just like a work in progress, Andrea Tippel also performed the novel in sections between 1994 and 2009 at her kitchen table. (…)“
from Dorothy Iannone "The Speaking Art of Andrea Tippel“: "(…) Here is a tale, a brilliant tale, one cannot deny, which, even as it astounds us through her persever- ance, drives us crazy with a foreboding that this may well be an endless tale. And perhaps this purely personal response to the Speaking Art of Andrea Tippel may well have amused its creator who often found meanings which, understandably or not, had eluded others. (…)“
Descriptive catalogue of works for audio-visual installations, Volume 1 (1981-1983)
Pieces for slide projectors, audio cassette players, stools, slides and endless cassettes
CD in slipcase with 68-page booklet (french/english)
Gérard Collin-Thiébaut (b.1946) is a French conceptual and installation artist whose "attitude is simple if radical. His purpose is to overturn convention and give the tree of the art world a good shaking, "when habits become form". Often elegant and deliberately traditional, even old-fashioned in appearance, his interventions suggest that things are easy, but go on to demonstrate that modernity is never what you see on the surface. […] Throughout his artistic career, he has worked to pursue the various categories of the fine arts using procedures of the day, bringing out correspondences, in order to achieve transversal knowledge and not only to allow a rereading of the world, but also to affirm that thought is a matter, not of found forms, but of forms that transform Not insignificant clues: Paul Otlet, Aby Warburg, Roussel, Duchamp, Flaubert, folk art.“
- Gorgeous stuff from one of my favorite composers.
ETA: Even more gorgeous and featuring Beth Gibbons of Portishead:
Domino, 2019
Henryk Górecki: Symphony No. 3 (Symphony of
Sorrowful Songs) performed by Beth Gibbons and the Polish
National Radio Symphony Orchestra, conducted by Krzysztof Penderecki.
The performance took place at The National Opera Grand Theatre in Warsaw on
November 29th 2014. In advance of the concert, Beth Gibbons undertook
an intense preparation process, including tackling the challenge of learning
the original text (and the emotional weight it carries) without speaking the
mother language.
Sereno is Chicago based composer and percussionist Tim Daisy’s latest solo effort. A collection of compositions and improvisations combining recent explorations with turntable manipulation, percussion and radio static with his expanding vocabulary as both a composer and improviser on the marimba.
Fusing collage and abstraction, the compositions and improvisations on Soreno combine Tim’s multiple influences from the worlds of visual art and sound into a collection of eight varied and dynamic musical situations. Building on more than two decades worth of experience working with a wide array of musicians and ensembles from both the Chicago and European experimental music scenes, Tim Daisy has created a unique body of work which draws on his past experiences in improvisation and composition, while at the same time forging ahead into new and unknown territory.
this series of compositions explores some of the extensities afforded by simple perturbations of initial conditions. reaching out to fill niches, recombining in novel ways and returning to familiar areas only to find them changed by the experience of repetition, the tonalities and the events which seem to induce them are continuously in dialogue.
'extensities' is the result of my continuing investigations of the uses of certain sine like tones which are produced by passing radio broadcast sounds through a resonant filter and generating feedback.
- Jaap Blonk’s solo work shows an ever more astonishing variety. Musique
concrète, beats, sound poetry, minimal techno, a manifesto, soundscapes
and more: it’s all there on this record.
Comments
“Ich und Sie - ein Roman aus dreibuchstabigen Wörtern“ (Me and Her - a novel of three-letter-words) was a work she started in 1993 and finished in 2009. As the title suggests it consists entirely of three-letter-words.
Two CDs (total 112 min) in fullcolour six-panel DVD-sized digipak, illustrated with pages of the manuscripts of "Ich und Sie“, a biographical text and chronology of the work in english by Marc Schulz, and the text "The Speaking Art of Andrea Tippel“ by Dorothy Iannone, written in 2019 especially for this publication.
Edition of 250 copies.
ANDREA TIPPEL was born 1945 in Hirsau/Black Forest, and grew up as the middle of three sisters in Bremen. Her parents were the architects Maria Alexandra Mahlberg and Klaus Tippel. In 1969 she was a state-certified actress (Max-Reinhardt-Seminar in Vienna and Berlin), then studied philosophy and psychology in Berlin, Hamburg, and Munich.
In 1971 Tippel moved to Berlin and started to create drawings, objects, composites, texts and books, as well as a few oil paintings. In 1974 she had her first exhibition with Tomas Schmit, started to produce artist books in 1980, and editions for various galleries from 1987. She maintained close friendships with Suzanne Baumann, Henriette van Egten, Ludwig Gosewitz, Dorothy Iannone, Dieter Roth, Tomas Schmit, Jan Voss and Emmett Williams. Tippel was appointed as a professor at the Hochschule für Bildende Künste Hamburg in 1997, and co-founded the Dieter Roth Academy (DRA) in 2000. She passed away in 2012 in Berlin.
from the liner-notes by Marc Schulz:
"The sketchbook version of the novel comprises 123 pages, and of these 97 pages were finished already in 1993. Another four pages were composed in 1995, 15 pages in March 1999, and seven further pages between 2007 and 2009. Andrea Tippel takes leave in the last pages of her recently deceased friends, among these Tomas Schmit, Ludwig Gosewitz, and Emmett Williams. The novel appeared in various printed and recorded versions: just like a work in progress, Andrea Tippel also performed the novel in sections between 1994 and 2009 at her kitchen table. (…)“
from Dorothy Iannone "The Speaking Art of Andrea Tippel“:
"(…) Here is a tale, a brilliant tale, one cannot deny, which, even as it astounds us through her persever- ance, drives us crazy with a foreboding that this may well be an endless tale. And perhaps this purely personal response to the Speaking Art of Andrea Tippel may well have amused its creator who often found meanings which, understandably or not, had eluded others. (…)“
Pieces for slide projectors, audio cassette players, stools, slides and endless cassettes
CD in slipcase with 68-page booklet (french/english)
Gérard Collin-Thiébaut (b.1946) is a French conceptual and installation artist whose "attitude is simple if radical. His purpose is to overturn convention and give the tree of the art world a good shaking, "when habits become form".
Often elegant and deliberately traditional, even old-fashioned in appearance, his interventions suggest that things are easy, but go on to demonstrate that modernity is never what you see on the surface. […]
Throughout his artistic career, he has worked to pursue the various categories of the fine arts using procedures of the day, bringing out correspondences, in order to achieve transversal knowledge and not only to allow a rereading of the world, but also to affirm that thought is a matter, not of found forms, but of forms that transform Not insignificant clues: Paul Otlet, Aby Warburg, Roussel, Duchamp, Flaubert, folk art.“
(Jean-Philippe Branche)
1993 Who: Electroacoustic Music 2004 The Tape Music Of Noah Creshevsky 1971-1992
2015 Yumbina Free 2016 Sounds From The Cosmic Silence nyp
2011 The Forgotten Pieces 2013 Silence Speaks When The Words End
Sereno is Chicago based composer and percussionist Tim Daisy’s latest solo effort. A collection of compositions and improvisations combining recent explorations with turntable manipulation, percussion and radio static with his expanding vocabulary as both a composer and improviser on the marimba.
Fusing collage and abstraction, the compositions and improvisations on Soreno combine Tim’s multiple influences from the worlds of visual art and sound into a collection of eight varied and dynamic musical situations. Building on more than two decades worth of experience working with a wide array of musicians and ensembles from both the Chicago and European experimental music scenes, Tim Daisy has created a unique body of work which draws on his past experiences in improvisation and composition, while at the same time forging ahead into new and unknown territory.
this series of compositions explores some of the extensities afforded by simple perturbations of initial conditions. reaching out to fill niches, recombining in novel ways and returning to familiar areas only to find them changed by the experience of repetition, the tonalities and the events which seem to induce them are continuously in dialogue.
'extensities' is the result of my continuing investigations of the uses of certain sine like tones which are produced by passing radio broadcast sounds through a resonant filter and generating feedback.
Along the Mantic Spring by Pausal
Norah Jones
2002 Come Away With Me
1996 Shaking Free 2010 Freedom Suite
Free with Email address
2011 Guru Legacy EP
Free with Email address
1995 Quelle Aventure!
My Life In A Hole In The Ground by African Head Charge
Did I get this at eMusic? It was reissued on Atavistic not too many years ago...Good crazy 70s free jazz from STL
2016 The Egyptian Second Line
2009 Gigantomachia
2018 Inversions 2020 ILPI003
2019 Pigmalião - ILPI 001
2006 Frisbee Hotpot
2000 Bakida 2002 Purple - Celebrating Jimi Hendrix
2006 Homescape 2009 Saiyuki
1989 Shahen-Shah
2008 - پیاپی = Continu