Well, I'm not too sure Nadja helped set the scene, but if I can convince my wife this is how we should spend the afternoon, then it should be a whole lot more fun Nebula Nine 2000 Moodhop Volume 1: Music To Have Sex To
The Universe is full of mysterious flashes in the sky called “fast radio bursts”. These bright bursts of radio waves shine for only a few milliseconds. In that instant, they release about a million times more energy than the Sun. Since their discovery in 2007, astronomers have found fewer than 20 – all coming from outside our galaxy, scattered randomly across the sky. But telescopes typically observe small patches of space at a time. If astronomers extrapolate to the entire sky, they estimate as many as 10,000 bursts could be flashing every day. And no one knows what they are. Scientists were searching for pulses of radio waves – from, for instance, rapidly-spinning neutron stars called Pulsars. These city-sized stars, as dense as an atomic nucleus, can spin more than a thousand times per second. As they rotate, they swing a beam of radiation around like a lighthouse, producing radio signals that appear as pulsating blips. But this one signal was weird. The signal was so bright that it saturated the electronics in the telescope. Starting in 2012, astronomers detected several more bursts using other telescopes, confirming that the signals really came from space. And not just anywhere in space. They are from outside our galaxy, maybe as far as billions of light years away, according to initial measurements of a phenomenon called the "dispersion effect". Radio bursts could be a sign of strange and new physics.
"When you are listening to the sound of pulsars, you are listening to actual star-size oscillators with the most minimal and longest lasting drones in the whole universe." HLER
Ps - Oops! I've gone too far and now my wife's gone and impeached me for pornorific behaviour. If only I hadn't provided these documents!!
More Bs - Maybe I shouldn't have explained how effective this one was... Even more - I guarantee- just have 1 Large Glass of Water, put this on the Stereo when you go to bed and in the morning you'll find wood. Guaranteed!
With their second album Smalts use their beautiful electronic, avant-garde anti-pop songs to bring an ode to (Dutch) poetry. Nevelglans is a calm, beautiful an at times bizarre record that remains interesting no matter how often you play it.
Neonian is emuser @soyabeanz I make music, for myself primarily. Mainly made with synthesisers, loops and samples. Influences include New Order, Boards Of Canada, Coil, Pye Corner Audio, Factory Floor, Bark Psychosis, Radiohead, Chemical Brothers, Joy Division, Orbital, Cocteau Twins, The Sisters Of Mercy, The Smiths, Depeche Mode, Nine Inch Nails, The Cure, Fuck Buttons, etc 2018 Hovercraft 2018 Pyrogallic 2019 Clutch Burner 2019 Treasure Emusic, Bandcamp
Well, Neonian's influences had me headed for the vinyl and it makes no sense in waiting for the J's to come up again. This GarageBand is working out pretty good. Joy Division 1980 Closer 1981 Still
Freezer is an album of raw and emotive improvisations by Serbian violinist-vocalist Tijana Stanković. Her chosen theme, the proverbial ‘freezer’, makes for a stark setting, serving as both a musical metaphor and literally the echoey meat freezer in Bratislava where the music was created and recorded. “Freezer is a place of cruelty and hope,” Stanković says. “It is a metaphor - an inner place where thoughts and feelings wait to be addressed.”
Though a dedicated free improviser, Stanković’s background in folk and Ethnomusicology puts her in touch with an ancient emotional syntax. Her key tools - violin and vocals - both yearn with an organic and creaking fragility, tied irrevocably to old cultures. As a means to express, they offer boundless possibilities (something Stanković has long explored in a vast array of collaborative groups, ensembles, and projects), but locker herself in the Freezer, on these recordings Stanković gains access to some potent introverted sonic realms, putting them in stasis to keep them at their most genuine, honest, and revealing. “To freeze,” she explains, ”is to preserve.”
Each of the four lengthy improvisations captured on Freezer takes its aesthetic to a logical endpoint. For example, ‘From dust and shine’ is a trip into gentle bow strokes over jarring and fragile violin strings, droning and grating between ethereal half-melodies and gentle moans. Stanković’s violin can at times evoke a creaky wheel as much as a musical instrument.
Though very much locked away in her own world of free and idiosyncratic music, the melodic character, stark sentiments, and heterophony of Balkan folk also play an important role. Closing track, “salty words” has Stanković meditate loudly on a trembling violin string repetition, wordlessly vocalizing a vast spectrum of inner angst.
Freezer is the culmination of Stanković’s abilities as both instrumentalist and improvising, coalescing her experience into a uniquely personal statement, aptly captured to tape in a freezer. Living until recently in Budapest, Stanković is now based in Belgrade.
“I would like to dedicate this release to my dearest friends who were there for me when I needed them the most.”
released February 2, 2020
Vocal, prepared violin and bow by Tijana Stanković Recorded by Jonáš Gruska in LOM freezer in Petržalka Mastered at The House of What You See Cover by Jonáš Gruska and Lucia Kovaľová Text by Tristan Bath Released by LOM as LOM17 in 2020
Comments
released January 28, 2020
2007 Nest 2010 Body Pilot
2014 Retold (2014 Special Edition)
2007 Mørketid 2011 Over The Summit
2013 Alchemy Of Ice 2014 Zastrugi
2010 Autopergamene nyp 2010 The Life And Death Of A Wasp nyp
2012 Excision Emusic 2013 Live In Santiago Free
this is how we should spend the afternoon, then it should be a whole lot more fun
Nebula Nine
2000 Moodhop Volume 1: Music To Have Sex To
The Universe is full of mysterious flashes in the sky called “fast radio bursts”. These bright bursts of radio waves shine for only a few milliseconds. In that instant, they release about a million times more energy than the Sun. Since their discovery in 2007, astronomers have found fewer than 20 – all coming from outside our galaxy, scattered randomly across the sky. But telescopes typically observe small patches of space at a time. If astronomers extrapolate to the entire sky, they estimate as many as 10,000 bursts could be flashing every day. And no one knows what they are. Scientists were searching for pulses of radio waves – from, for instance, rapidly-spinning neutron stars called Pulsars. These city-sized stars, as dense as an atomic nucleus, can spin more than a thousand times per second. As they rotate, they swing a beam of radiation around like a lighthouse, producing radio signals that appear as pulsating blips. But this one signal was weird. The signal was so bright that it saturated the electronics in the telescope. Starting in 2012, astronomers detected several more bursts using other telescopes, confirming that the signals really came from space. And not just anywhere in space. They are from outside our galaxy, maybe as far as billions of light years away, according to initial measurements of a phenomenon called the "dispersion effect". Radio bursts could be a sign of strange and new physics.
"When you are listening to the sound of pulsars, you are listening to actual star-size oscillators with the most minimal and longest lasting drones in the whole universe."
HLER
2004 Wakka Chikka Wakka Chikka (Porn Music For The Masses Vol. 1)
2008 Wakka Chikka Wakka Chikka! (Porn Music For The Masses Volume 2)
archive.org
Ps - Oops! I've gone too far and now my wife's gone and impeached me for pornorific behaviour. If only I hadn't provided these documents!!
More Bs - Maybe I shouldn't have explained how effective this one was...
Even more - I guarantee- just have 1 Large Glass of Water, put this on the Stereo
when you go to bed and in the morning you'll find wood. Guaranteed!
The National Trust
2006 Kings & Queens
yes more Ps - Neo-soul works every time, could lead to some
extra Teddy Pendergrassing in the future
Fifty years since this was released - hard to believe! I was a student way back then
Nicolai Dunger
2001 Soul Rush 2003 Tranquil Isolation
2004 Here's My Song, You Can Have It... 2007 Rösten Och Herren
I Don't Want It Anymore, Yours 4-ever
I make music, for myself primarily. Mainly made with synthesisers, loops and samples. Influences include New Order, Boards Of Canada, Coil, Pye Corner Audio, Factory Floor, Bark Psychosis, Radiohead, Chemical Brothers, Joy Division, Orbital, Cocteau Twins, The Sisters Of Mercy, The Smiths, Depeche Mode, Nine Inch Nails, The Cure, Fuck Buttons, etc
2018 Hovercraft 2018 Pyrogallic
2019 Clutch Burner 2019 Treasure
Emusic, Bandcamp
for the J's to come up again. This GarageBand is working out pretty good.
Joy Division
1980 Closer 1981 Still
New Order
1983 Power, Corruption & Lies 1985 Low-life
1970 Elegy
Tijana Stanković - Freezer
Though a dedicated free improviser, Stanković’s background in folk and Ethnomusicology puts her in touch with an ancient emotional syntax. Her key tools - violin and vocals - both yearn with an organic and creaking fragility, tied irrevocably to old cultures. As a means to express, they offer boundless possibilities (something Stanković has long explored in a vast array of collaborative groups, ensembles, and projects), but locker herself in the Freezer, on these recordings Stanković gains access to some potent introverted sonic realms, putting them in stasis to keep them at their most genuine, honest, and revealing. “To freeze,” she explains, ”is to preserve.”
Each of the four lengthy improvisations captured on Freezer takes its aesthetic to a logical endpoint. For example, ‘From dust and shine’ is a trip into gentle bow strokes over jarring and fragile violin strings, droning and grating between ethereal half-melodies and gentle moans. Stanković’s violin can at times evoke a creaky wheel as much as a musical instrument.
Though very much locked away in her own world of free and idiosyncratic music, the melodic character, stark sentiments, and heterophony of Balkan folk also play an important role. Closing track, “salty words” has Stanković meditate loudly on a trembling violin string repetition, wordlessly vocalizing a vast spectrum of inner angst.
Freezer is the culmination of Stanković’s abilities as both instrumentalist and improvising, coalescing her experience into a uniquely personal statement, aptly captured to tape in a freezer. Living until recently in Budapest, Stanković is now based in Belgrade.
“I would like to dedicate this release to my dearest friends who were there for me when I needed them the most.”
Vocal, prepared violin and bow by Tijana Stanković
Recorded by Jonáš Gruska in LOM freezer in Petržalka
Mastered at The House of What You See
Cover by Jonáš Gruska and Lucia Kovaľová
Text by Tristan Bath
Released by LOM as LOM17 in 2020
Cellokarma
(1978)
http://karmamusic.dk/