Oriented by his diverse lines of interest towards the borderline areas of the various genres. Founder of creative performing
formations (Group
180, Fodderbasis, Gordian Knot Cinematic Music Lab). Beside music
compositions he creates films and installations. His works are present
across Europe and beyond.
This is my 10,001st comment. A new era. Really sick (some kind of digestive thing that makes sitting up feel like an impossibly exhausting effort) and listening to Zeitkratzer plays Kraftwerk. Before that it was KXM.
A woodwind-player's fever dream, this is a completely new orchestration
based off of the original piano score. Featuring unusual pairings such
as recorder choir with bari sax and toy piano with electric piano, there
are aural surprises at every turn.
Mark Zelesky: garklein recorder, sopranino recorder, soprano recorder,
alto recorder, tenor recorder, bass recorder, Ab piccolo clarinet, Eb
clarinet, Bb clarinet, alto clarinet, bass clarinet, contra-alto
clarinet, contrabass clarinet, sopranino saxophone, soprano saxophone,
alto saxophone, tenor saxophone, baritone saxophone, toy piano,
Wurlitzer electric piano, electric reed organ.
Soliman Gamil was born in Alexandria in December, 1924. he years he studied piano,
harmony, counterpoint and orchestration with the Italian professors
Minato, Campizi and Hekman amongst others. In 1950 Soliman went to
Paris to study composition for one year at the Ecole Normale de Musique.
He has composed music for cinema and theatre, winning several national
and international prizes, including one from Leipzig for his music to
the film, ‘Drums’, and another from the Critics’ Society in London for
the score to ‘Eloquent Peasant’. In 1967 he was awarded the Egyptian
State Order of Merit, First Class, in Arts and Sciences. He represented
Egypt at several international conferences on music. In 1969 he
founded the Egyptian Folkloric Music Orchestra, affiliated to the
Ministry of Culture. One composition, “Cantatta for Cello”, was chosen
as ‘morceau impose’ in the cello composition for diploma studies at the
Brussels Conservatoire in June 1982. Soliman Gamil lectured at the
Higher Drama Institute, Academy of Arts, Cairo and he was a member of
the International Association of Musicologists, Switzerland. He died in
1995.
An augmented sonification of Kyle Gann's Anatomy of an Octave (the extant condensed version with 580 pitches) in the form of a catalogue piece. All 580 ratios are played against a 240Hz base pitch, one at a time from low to high with a duration of 7 seconds each, with additional chord tones derived from the frequencies (combination tones, Pythagorean means, etc.) using my Implication Organ instrument in Csound. I recommend downloading before listening to get the highest quality sound.
Just discovered on one of my drives. Second play of the night and I've just copied it onto my Fiio - I may be in love. Pathman - Poza Polish underground strangeness - my copy of which may well have arrived via Mutant Sounds.
Comments
OMR
2004 Side Effects
2006 Wake Them Up
2006 Swift Feet For Troubling Times
@rolandkuit - KYMA.
2005 The Aether Eater 2009 The Blue Depths
2009 Operation Aloha
2005 Black Sheep Boy/Black Sheep Boy Appendix 2007 The Stage Names
2007 Golden Opportunities Mixtape 2008 The Stand Ins
Really sick (some kind of digestive thing that makes sitting up feel like an impossibly exhausting effort) and listening to Zeitkratzer plays Kraftwerk. Before that it was KXM.
the original version of "Spule 4" just this afternoon.
2007 Cumulae Movement 2012 Changeyourprocess
2013 Exit To Anywhere 2018 Enfolding
2011 Live at ISSUE 4/27/11 archive.org
1997 Mikro Makro
2002 Sæti nyp 2002 Suppressing An Unpleasant Feeling nyp
(Or The Day The World Trembled Down)
2003 Albian Dream nyp 2003 Untitled (2003) nyp
Orphax
2004 In Your Eyes I Get Lost EP nyp 2012 confused
2013 Un Cœur,Deux Cœurs,Un Cœur,Sans Cœur 2014 Under The Dutch Sky
Emusic
An augmented sonification of Kyle Gann's Anatomy of an Octave (the extant condensed version with 580 pitches) in the form of a catalogue piece. All 580 ratios are played against a 240Hz base pitch, one at a time from low to high with a duration of 7 seconds each, with additional chord tones derived from the frequencies (combination tones, Pythagorean means, etc.) using my Implication Organ instrument in Csound. I recommend downloading before listening to get the highest quality sound.
Discovered this through E Music, what a shame its gone the way it has
Pathman - Poza
Polish underground strangeness - my copy of which may well have arrived via Mutant Sounds.