- Also, the Firefox browser has a resizing tool that allows you to make fine adjustments.
It looks like this:
ECM is building their catalogue on BC these days . . .
Thanks for that. Just got a new laptop and it is set up to Chrome when previously I was using Firefox and the re-sizing tool you mention. Will set it up after I've finished my writing deadline. Also thanks for the heads up on those slowpokes ECM!
On Second thoughts at 14.99 for old albums that they have already made their money on ECM can go take a running jump.
Especially when it’s 14.99 in Euros, which is about $16.50, and the album I was interested in (Cyrille/Smith/Frisell) is less that $6.50 on Google, it does indeed make one hesitate. Where there is a few dollars’ difference I sometimes choose bandcamp anyway because money to artist etc. But that’s a hefty markup.
Back in the late 1980's living in North London I'd go to Mole Jazz and pick up recent review copies of ECM titles. Always around the £7.99 to £9.99 mark - which was the new price for most labels. If ever there has been a label that has done just as much positive as negative for music... and that includes the awful reverb drenched production balanced against great early releases and their sometimes great New Music series. Ah well.
It is a great label but the prices are eye watering, used to go to Mole Jazz as well as Honest Johns in Camden to pick up Gil Scott Heron's albums on import. Have a lot of Keith Jarrett albums as well as many others.
I remember going to Honest Johns, probably in the 80s? I'd forgotten it until mentioned above. I didn't know Moles, though. Currently trying hard to book a grocery deleivery slot!
I remember starting my collection in the 60s at Jaffe's Book & Music Exchange in downtown Calgary and I couldn't tell you how much time I've spent flipping records since then. Phil Ochs 1969 Rehearsals For Retirement 1970 Greatest Hits
Ps- I did get lots of those 1/2 price comics as well. One from the front-
As this album comes to its conclusion, I realize that I have listened to it countless times and it still blows me away. It really is a modern jazz masterpiece.
Comments
2004 Phontaine
New track out today...Heavens Nail and Hammer. Link to Bandcamp for Streaming
2006 Do Your Thing
2000 Intuite
Phil Ochs
1969 Rehearsals For Retirement 1970 Greatest Hits
Ps- I did get lots of those 1/2 price comics as well.
One from the front-
2009 To Willie
1998 The Compilation
2009 That Kind Of Love
2005 In The Cool 2007 Remember The Sun
Live at Seed Savers Exchange-7-8-17 archive.org
2019 Freeway
i.o - Injecting Logic
Tracklist:
1: Injecting Logic (41:44)
2: )) (43:55)
3: ))) (37:55)
4: )))) (23:38)
5: ))))) (48:00)
6: )))))) (46:46)
7: ))))))) (23:50)
8: ))))))))) (39:06)
9: ))))))))) (25:01)
10: )))))))))) (34:48)
11: ))))))))))) (35:21)
12: )))))))))))) (29:01)
13: ))))))))))))) (22:13)
14: ) (42:19)
15: ))))))))))))))) (44:34)
16: ( (24:03)
17: (( (34:37)
18: ((( (48:03)
19: (((( (30:43)
20: ((((( (45:31)
21: ((((( (43:13)
22: (((((( (43:21)
23: ((((((( (29:59)
24: (((((((( (35:10)
25: ((((((((( (43:08)
26: (((((((((( (44:31)
27: ((((((((((( (31:44)
28: ((((((((((((( (40:20)
29: ((((((((((((((( (42:41)
30: (((((((((((((((((( (35:01)
31: = (34:28)
32: == (38:42)
33: === (23:09)
34: ===== (32:35)
35: ====== (25:11)
36: ======= (49:21)
37: ========= (47:30)
38: =========== (42:09)
39: ============ (49:57)
40: ============== (49:48)
41: =============== (39:30)
42: ================== (44:28)
43: ==================== (44:31)
44: + (48:04)
45: ++ (35:31)
46: +++ (49:45)
47: ++++ (49:38)
48: +++++ (43:34)
49: ++++++ (39:23)
50: +++++++ (50:22)
51: ++++++++ (35:56)
52: +++++++++ (46:10)
53: ++++++++++ (44:40)
54: * (44:26)
55: ** (46:14)
56: *** (40:14)
57: **** (39:36)
58: ***** (39:10)
59: ****** (43:30)
60: ******** (29:57)
61: ********** (50:47)
62: ************ (43:35)
63: ************** (29:49)
64: **************** (38:44)
65: ****************** (43:42)
66: ******************** (35:23)
67: ************************* (31:51)
68: ***************************** (23:12)
69: ********************************* (23:16)
70: ************************************* (26:44)
71: ***************************************** (17:16)
72: ******************************************** (22:18)
73: ^ (25:03)
74: ^^ (18:37)
75: ^^^ (46:39)
76: ^^^^ (43:09)
77: ^^^^^ (44:39)
78: ^^^^^^ (43:54)
79: ^^^^^^^ (37:00)
80: ^^^^^^^^ (50:26)
81: ^^^^^^^^^ (51:02)
82: ^^^^^^^^^^^ (26:57)
83: ^^^^^^^^^^^^^ (25:29)
84: _ (18:38)
85: (21:17)
86: ___ (17:35)
87: ____ (23:06)
88: ______ (40:46)
89: _______ (25:34)
90: ________ (22:14)
91: __________ (22:08)
92: ____________ (26:41)
93: _____________ (51:22)
94: ______________ (30:38)
95: ________________ (43:05)
96: __________________ (25:07)
97: ____________________ (46:59)
98: ______________________ (45:49)
99: - (47:44)
100: -- (51:40)
101: --- (50:30)
102: ---- (50:45)
103: ----- (48:09)
104: ------ (27:51)
105: ------- (28:03)
106: -------- (28:02)
107: --------- (28:30)
108: ---------- (28:32)
109: ----------- (28:37)
110: ------------ (28:43)
111: -------------- (29:01)
112: ---------------- (28:42)
113: ------------------- (28:26)
114: # (28:14)
115: ## (28:27)
116: ### (27:53)
117: #### (28:31)
118: ##### (28:24)
119: ###### (28:37)
120: ####### (27:53)
121: ######## (28:12)
122: ######### (27:59)
123: ########## (28:32)
124: ########### (27:32)
125: ############ (28:09)
126: I (27:36)
127: II (28:14)
128: III (28:35)
129: IIII (24:54)
130: IIIIII (28:53)
131: IIIIIII (28:48)
132: IIIIIIII (28:37)
133: IIIIIIIIII (28:50)
134: IIIIIIIIIII (28:50)
135: IIIIIIIIIIIII (28:22)
136: IIIIIIIIIIIIII (21:10)
137: IIIIIIIIIIIIIII (28:29)
138: IIIIIIIIIIIIIIII (28:38)
139: IIIIIIIIIIIIIIIII (28:36)
140: IIIIIIIIIIIIIIIIIIIII (31:07)
141: IIIIIIIIIIIIIIIIIIIIIIII (34:33)
142: IIIIIIIIIIIIIIIIIIIIIIIIIIII (31:07)
143: \ (43:18)
144: \\ (45:37)
145: \\\ (51:28)
146: \\\\ (50:21)
147: \\\\\ (39:42)
148: \\\\\\ (46:12)
149: \\\\\\\ (43:21)
150: \\\\\\\\ (41:56)
151: \\\\\\\\\\ (45:55)
152: \\\\\\\\\\\ (35:58)
153: \\\\\\\\\\\\ (29:17)
154: \\\\\\\\\\\\\\ (28:35)
155: \\\\\\\\\\\\\\\\\ (28:53)
156: \\\\\\\\\\\\\\\\\\\\\ (28:50)
157: \\\\\\\\\\\\\\\\\\\\\\\\\\ (28:50)
158: \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ (28:45)
159: / (28:38)
160: // (38:44)
161: /// (43:42)
162: //// (31:51)
163: ' (28:38)
164: '' (28:38)
165: ''' (28:38)
166: '''' (51:02)
167: ''''' (40:47)
168: '''''' (40:46)
169: ''''''' (50:59)
170: '''''''' (46:59)
171: ''''''''' (48:00)
I watched a programme I'd recorded a couple of weeks ago last night about the making of this album, so had to play it this morning
2017 The Mecanocentric Worlds Of Pierre Bastien 2018 Pierre Bastien & Cabo San Roque
/Anna Homler, Adrian Northover, Dave Tucker
Emusic - FTS003
Found this on the archive.org, great jazz set for the afternoon
Unfiltered by Tyshawn Sorey. A more (informal? melodic?) setting for Tyshawn. First I've heard from young vibist Shasha Berliner
Springintgut & F.S. Blumm – The Bird And White Noise
F.S. Blumm Meets Luca Fadda – F.S. Blumm Meets Luca Fadda