@greg - My wife & I recently watched A Hard Days Night along with Ferry Cross The Mersey with the late Gerry Marsden on one of the oldie channels. I must say it sure brought back a flood of memories. Here's someone else I'm sure you're familiar with. Bert Jansch
Ingletwist is the name I gave to
nonense texts based on the sounds of the English language, in analogy to
Onderlands (language of the Underlands), my invented parallel language
to Dutch.
This is a piece composed from results of a workshop I did in December,
2014 with students of the University of Maine, Farmington, and a few
from Umaine, Orono.
Faculty members Gustavo and Gaelyn Aguilar helped facilitate this and participated as well.
Students wrote short sound poems using a small number of letters (such
as the letters of their first name or their hometown), to be performed
as solos or in smaller or larger groups. In addition to that there were
improvisations in various different structures.
At a few points computer voices (speaking Ingletwist as well) and some instrumental sounds were added.
Based on recordings made December 5, 2014 at IMRC of the University of
Maine, Orono, by Duane Shimmel. A version in 5.1 surround sound was
mixed as well, but never released.
I recorded the sound of one single buddha machine at 96 kHz, using a
state of the art A/D converter. The recording contains audio information
up to 48 kHz, which makes it possible to transpose the loops down and
expose otherwise inaudible hidden details. The pieces on this CD have
been created by granulating, filtering, pitching and layering either the
original loops, or new loops which were re-assembled out of parts of
the originals. Most pieces are based on one single source loop. The
pieces as they live within my computer are set up as continuously
permutating structures and theoretically could go on forever, just as
the loops do within the buddha machines.
COLOSSEUM was one of the pivotal progressive bands that emerged in the
second part of the Sixties. In '68 the founding members were drummer Jon
Hiseman, tenor sax-player Dick Heckstall-Smith and bass player Tony
Reeves, later joined by Dave Greenslade (keyboards), Dave Clempson
(guitar) and Chris Farlowe (vocals). Their music is a progressive mix of
several styles (rock, jazz, blues) with lots of sensational solos and
captivating interplay.
This album brings together the best of their radio broadcasts.
Comprising both studio and live recordings that have been newly
mastered. This album captures the band at the height of its powers with
each member providing virtuoso performances throughout.
Darkness at the break of noon... I can't believe that I'm watching a coup take place in Washington. A delusional despot has incited his followers to overturn the election and no doubt he will not take responsibility for this cowardly act. Bob Dylan
Truly unbelievable, seeing insurrectionists smash out windows because of a fantasy story fed to them by Trump. 1 more person dead, so far, on top of all those co-vid deaths that he's responsible for.
Now, I'm reminded as a Dylan fan, I still stuck with him during the very lean Self Portrait years and certainly missed the poetry I came to expect after the gems of the 60's. I recall things picking up mid 70's.
There's Zero chance Trump can ever redeem himself for what he's caused.
Seeing all those Dylan covers takes me back! We put our TV on to watch something on Netflix last night. The last station we'd had on was BBC News. We spent the evening watching events unfold, utterly amazed by what was going on
A new release from Porya Hatami. This one is based on this 1979 incident in which a photograph of Iranian soldiers executing Kurds in a field won the Iranian photographer a Pulitzer. The cover art is a painting based on the photo. The music is dark and haunting, brilliant but not easy to listen to, and feels like exactly the right kind of listening after a day of presidentially endorsed white nationalist violence.
Seeing all those Dylan covers takes me back! We put our TV on to watch something on Netflix last night. The last station we'd had on was BBC News. We spent the evening watching events unfold, utterly amazed by what was going on
Most disturbing and incomprehensible that so many people seems to believe everything that comes from a raving lunatic.
Distracted and rattled today, trying to get grounded with a bit of Blakey and friends. Recorded with Lee Morgan, Wayne Shorter & Bobby Timmons in 1961 but not released until 1969 ?!?!?
Comments
Bert Jansch
1966 Jack Orion 1965-67 The Bert Jansch Sampler
1972 Moonshine 1990 Sketches
Emusic
This is a piece composed from results of a workshop I did in December, 2014 with students of the University of Maine, Farmington, and a few from Umaine, Orono.
Faculty members Gustavo and Gaelyn Aguilar helped facilitate this and participated as well.
Students wrote short sound poems using a small number of letters (such as the letters of their first name or their hometown), to be performed as solos or in smaller or larger groups. In addition to that there were improvisations in various different structures.
At a few points computer voices (speaking Ingletwist as well) and some instrumental sounds were added.
Based on recordings made December 5, 2014 at IMRC of the University of Maine, Orono, by Duane Shimmel. A version in 5.1 surround sound was mixed as well, but never released.
Georgia on My Mind
- And fingers crossed . . .
2000 The Sssound Of Mmmusic 2005 Portrait-Robot
2003 The Everlasting Blink 2004 Ariels
The times they certainly are a-changin'.
Bob Dylan
1962 Bob Dylan 1963 The Freewheelin' Bob Dylan
1964 The Times They Are A-Changin' 1964 Another Side Of Bob Dylan
1965 Highway 61 Revisited 1965 Bringing It All Back Home
I can't believe that I'm watching a coup take place in Washington. A delusional despot has incited his followers to overturn the election and no doubt he will not take responsibility for this cowardly act.
Bob Dylan
1966 Blonde On Blonde Recorded 1967 Bob Dylan & The Band
The Basement Tapes
1968 John Wesley Harding 1969 Nashville Skyline
1970 Self Portrait 1973 Dylan
Now, I'm reminded as a Dylan fan, I still stuck with him during the very lean Self Portrait years and certainly missed the poetry I came to expect after the gems of the 60's. I recall things picking up mid 70's.
There's Zero chance Trump can ever redeem himself for what he's caused.
Bob Dylan
1975 Blood On The Tracks 1976 Desire
1976 Hard Rain 1978 Street-Legal
1979 Slow Train Coming 1983 Infidels
"Who's gonna take away his licence to kill?"
-Bob Dylan
1983 Infidels (Original Mix) 1986 Knocked Out Loaded
[soniclovenoize Basement Tapes reconstruction]
2006 Tell Tale Signs 2006 Modern Times
(Rare And Unreleased 1989-2006)
2020 Rough And Rowdy Ways
archive.org
by PORYA HATAMI
Thanks for the welcome chuckle.
followed by
Frank Turner - Be More Kind
The Band
1968 Music From Big Pink 1970 Stage Fright
1971 Cahoots 1968-73 Masters Of Rock
1978 The Last Waltz