What are you listening to right now?

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Comments

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    Fun 70's inspired indie pop. Perfect pick-me-up for a Monday morning.

    Craig
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    What amclark2 said the other day.

    Craig
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    I do in fact like rock music.

    Craig
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    Daft Punk is playing at my office...my office.

    Craig
  • @Craig, Meant to ask you what you thought of the new LCD Soundsystem. Still can't make up my mind if it's worth the 5 bucks or not.

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  • thom - As with everything I've heard that James Murphy has done, it's a bit hit and miss. Of the 9 tracks I'd say 5 are pretty darn good, with the remaining 4 being pretty meh.

    Craig
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    I wish I could pull off a rakish fuzzy fedora or at least a scarf tied jauntily about the neck...
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    thanks selfrisinmojo!
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    Alva Noto & Ryuichi Sakamoto with Ensemble Modern - UTP - ( Raster-Noton 2008)
    Commissioned by the German city of Mannheim on the occasion of its 400th anniversary, UTP is intended to reference utopia, a point its authors relate to the city's Enlightenment-era design principles. Among these is Mannheim's grid-based layout, a "rasterized structure" the musicians implicitly link to their own digital methods. It's a curious take on history, for a city that has been repeatedly all but wiped off the map. Founded in 1607, Mannheim was destroyed in 1622 and again in 1689 — literally paving the way for its high-minded redesign — and in 1940 it became the guinea pig for a new British tactic, incendiary "terror bombing," which wiped out nearly half the city.

    Or maybe all that is part of the story here, because this hour-long collection of pieces doesn't sound much like utopia in its "Kumbayah" sense. Alva Noto (a.k.a. Raster-Noton head Carsten Nicolai) and Ryuichi Sakamoto have been working for several years now at pensive, unsettling electro-acoustic that balances limpid piano notes with jarring digital edits, and here they expand their approach to accommodate the collaboration of Frankfurt's Ensemble Modern, who bring strings, percussion and woodwinds to the lineup. The resulting merger does indeed live up to a kind of ideal fusion, with massing drones so bound up with static and glitches that it's impossible to tell where the music ends and the noise begins. Given to long arcs of bowed drones and passages full of percussive murmur or furious microtonal flutter, the music occasionally recalls Morton Feldman's deliberate, melancholic compositions. Its moments of improvisation, rather than detracting from the album's sense of purpose, only serve to reinforce the sense of something fleeting and ephemeral.
    - Philip Sherburne.

    - Breathtaking !
  • @Craig - that's the impression I got from the samples.

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    Honestly I think I bought this just because there wasn't really anything else on Amie. But I'm about halfway through and really digging the chill vibe.
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    If the folks involved aren't ashamed to make this record, I'm not ashamed to admit I actually really enjoy it. Good cheese is hard to find.

    Craig
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    Trying to clear out my SFL these days.
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    on sale for a teeny bit longer...
  • Crap, I gotta go through the 1000+ 5 buck albums today and figure out if I need any...

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  • On a 90's kick today. My Bloody Valentine, then Nirvana, then Mudhoney, and now:

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    (Yes, I know Doolittle was technically 1989, but still.)

    Craig
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    Her voice is so beautiful, I can close my eyes and melt away into it. eMusic has her 2007 album, Navega and hopefully will carry St
  • Sticking with my theme for the day:

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    Craig
This discussion has been closed.