Released in 2014 Deaf Center - Recount From Discogs 1. "Follow Still" Recorded in 2012 at Erik's Studio at NK/Berlin, DE Improvisation for guitar & piano 2. "Oblivion" Recorded in 2008 at Erik's studio in Karl Johan's gate / Oslo, NO Add. sub bass recorded 2014 by Nils Frahm Deaf Center is Erik K Skodvin & Otto A Totland
Aidan Baker, Andrea Belfi and Erik Skodvin - releases June 10, 2016
Well, thanks for the reminder. I wish my tiny brain could remember more things but it seems to be filling up faster these last few years and it's getting harder to remember the connections. I believe the first time I really connected with Erik K Skodvin and B/B/S was through this New & Notable post. That set me also exploring Deaf Center, Svarte Greiner & Andrea Belfi and I was already familiar with Aidan Baker. I have most of those on the broken hard drive so I'll add some that I've forgotten. Thanks to all of you who keep reminding me of things I should be remembering.
B/B/S - Coltre/Manto
ps 2 great tracks for 98 cents in Canada. Thanks again!
Most Welcome . . .
NP: B/B/S - Coltre/Manto This is one that has slipped my attention . . . Thanks.
Well, I've still got that Erik K Skodvin in my brain. I got my introduction with Black Tie and have been working my way back to the begin. My favorite, so far, has been this ep Drunk, Road, Tree - I guess it must have come from this release.
I'm giving a talk to a U3A group about Popular Music in the 1960s in a couple of weeks, so this morning I am planning a musical quiz as an introduction, so listening to lots of sixties music. Some of the music of that time was very good, but only some....
Sinuous ecometric rhythms and dense rain-blown tone sculptures shine and wind between electrified cotton-nodes, all careening, sliding,colliding across and through a synaptic panorama.
"Based on the psychological studies of Paul Clifford Brown, where several young babies were submited to very high frequencies exposure (orders of 20.000 to 23.000 Hz) and did obtain better results when they attended school (specially maths and portuguese language). These frequencies, only heard in the first months of human life, were reminded musically in this project Children For Breakfast by inverting the harmonic series of the musical notes, in what is today called Inverse Spectralism. For example, a melody heard in the second subsection of 'In apparent defiance' was written with original notes C9-D#9-B8-A#9 (fundamental frequencies of 22.150hz, 22.550hz, 21.100hz and 23.100hz), and then transposed according to the laws of Inverse Spectralism. The 1st, 3rd, 5th and 8th negative parcial harmonics (Fibonacci series) were used, and the final melody resulted in E#2-G#4-B3-A#4. The impact of this music is being tested currently in the University of Toronto, Argentina, with 100 orphan children with problems relating with other children. After 3 months of experiments the scientists were able to conclude that the levels of aggressiveness declined and speech coherence and tolerance increased. However, one children cried and another became confused with the question "do you love your father?", leaving the final interpretation of the results open until further conclusions."
Well, I've had a great time in the garden this week. I planted the corn last Sunday and Friday night it was popping through. The beets I noticed Sat but could have been earlier & the Lady Slippers are finishing a little early this year due to an incredibly early spring. There's not that as much fun for me as listening to music or gardening. I try to do that simultaneously as much as possible. At any rate, I've been enjoying a great rotation, when it's not raining. Gigi has filled a big part of it, so I has happy to see that I already had a track from her on this album.
Sunday morning is, or should be, rip some more cds to FLAC in preparation for the "big move". It's a bit like a labour of Hercules but you do turn up some nice things that haven't been listened to enough. Cherry plays everything that isn't electronics.
Several rips later. I see this cover on my unsorted shelves and think "I love that cover" without a clue as to who it is. "and that's the story of Jazz" by Akira Sakata and Jim O'Rourke with Chikamorachi (Chris Corsano and Darin Gray) on Family Vineyard. Akira Sakata dedicates the release to an old friend and jazz promoter Yoshitaka Sugaya who went missing when the 2011 tsunami disaster occurred.
Comments
I'll try my best to remember the 10th.
ps - A terrific listen!
Deaf Center - Recount
From Discogs
1. "Follow Still"
Recorded in 2012 at Erik's Studio at NK/Berlin, DE
Improvisation for guitar & piano
2. "Oblivion"
Recorded in 2008 at Erik's studio in Karl Johan's gate / Oslo, NO
Add. sub bass recorded 2014 by Nils Frahm
Deaf Center is Erik K Skodvin & Otto A Totland
NP: B/B/S - Coltre/Manto
This is one that has slipped my attention . . . Thanks.
@Greg, as an editor, the redundant title of that Caro Emerald album drives me nuts!
That iiiDrops was really good; thanks Craig!
Now available from livedownloads
Wowee wow wow!
(releases June 24, 2016)
Lounge Lizards - "Voice of Chunk"
My favorite, so far, has been this ep
Drunk, Road, Tree - I guess it must have come from this release.
Working back...
Svarte Greiner
Svarte Greiner - Knive
Credits
Kiln: Meadow: Watt
Stephan Mathieu
Picked this up for a dollar the other day on CD.
At any rate, I've been enjoying a great rotation, when it's not raining. Gigi has filled a big part of it, so I has happy to see that I already had a track from her on this album.
Discogs link
Cherry plays everything that isn't electronics.
"and that's the story of Jazz" by Akira Sakata and Jim O'Rourke with Chikamorachi (Chris Corsano and Darin Gray) on Family Vineyard. Akira Sakata dedicates the release to an old friend and jazz promoter Yoshitaka Sugaya who went missing when the 2011 tsunami disaster occurred.
Music for taking care of things.